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Void Beats / Invocation Trex vinyl
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| サイド 1 | ||
|---|---|---|
| 1. | "Tardis Cymbals" (12:52) | |
| サイド 2 | ||
|---|---|---|
| 1. | "Blowing My Nose Under Close Observation" (4:06) | |
| 2. | "Insect Fear" (5:21) | |
| 3. | "Melody In High Feedback Tones" (3:54) | |
| サイド 3 | ||
|---|---|---|
| 1. | "Hi-Hats Bring The Hiss" (9:00) | |
| 2. | "Liquid Gate" (2:02) | |
| サイド 4 | ||
|---|---|---|
| 1. | "Pantechnicon" (8:48) | |
| 2. | "Black Glass Actions" (3:20) | |
| サイド 5 | ||
|---|---|---|
| 1. | "Planetary Folklore" (6:03) | |
| 2. | "Echolalia" (4:19) | |
| サイド 6 | ||
|---|---|---|
| 1. | "Void Beat" (9:37) | |
| 2. | "Zone Null" (2:58) | |
For a generation who grew up in the '90s, the work of Tim Gane in Stereolab was often as much of an introduction to krautrock as that sound's actual progenitors. Yet this was only one string to his bow, with the band also traversing genre as effortlessly with abstract electronica as with tropicalia or French chanson. Gane now dwells in Berlin, and Cavern Of Anti-Matter marks his first bona side band project since Stereolab's breakup, enlisting the help of guest luminaries like Sonic Boom and Deerhunter's Bradford Cox for a vivid selection of delirious forays into the unknown that touch on sci-fi, techno and retro electronic tropes yet can't help but bear all the hallmarks of Gane's finest and most restless work.
If you decide an product is not suitable within 14 days of delivery, you can return it to us for a replacement or refund. Returns must be unused and in their original, undamaged packaging.
Some items are excluded from our money back guarantee:
- Computer software that has been unsealed or registered
- Any item that comes directly into contact with the nose, ears or mouth
To arrange a return, just contact our customer service department on 020 7424 2800 or via our customer support form.
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