Review: The likes of Steve O'Sullivan, Baby Ford and Norm Talley have appeared on the somewhat overlooked Sushitech sub-label Pariter since 2006. Its latest release comes from Romanian trio Lisiere Collectif, who bring the techno sound of Bucharest to you on the first installment of Unknown Credentials. Member Andu Simion is well known for his rolling and glacial grooves, and in conjunction with Bogdan Ardeleanu and Dan Gheorghe they serve up two emotive and soulful excursions. The untitled A side offering is a driving, hypnotic and overall evocative journey with an undeniable nod to the Motor City sound that you could imagine Delano Smith pumping out in the AM hours. On the B side it is a more parochial affair, yet well worthy - a bumping and funky groove that's right in line with their hometown's renowned sound.
Review: Sushitech's sub label Pariter has already released timeless records from the likes of Delano Smith, Steve O'Sullivan, Baby Ford and Norm Talley to name a few and this new release of the Romanian group Lisiere Collectif is no exception!
Unknown Credentials is a project of 5 tracks released on 2 single records. A sides on both parts are absolutely massive, acid lines and hypnotic chords peak time tracks that will shake any proper sound system with some serious bass extension! B sides are deeper and have more modern, fresh electroish vibe that we love!
Fans of Ricardo Villalobos & Craig Richards b2b sets are going to find it gold! Don't sleep!!
Poisoned Words (Ricardo Villalobos remix 1) (6:35)
Poisoned Words (Ricardo Villalobos remix 2) (13:39)
Review: The Mandar dream team of Lazare Hoche, Malin Genie and S.A.M revisit "Poisoned Words" with a double dose of remixes from none other than Ricardo Villalobos. The minimal overlord lives up to expectations on both flips of the original track, needling into the tiniest sonic details and holding down an insistent groove that will sit beautifully in the mix. The A side features a simmering version that revels in wriggling sound design with ample space to flex and mutate, while the B side stretches out into a quintessential Villalobos wormhole of a remix. Unmissable sonics from one of the scene's true legends.
Review: Icelandic label Lahar debuts with this highly impressive release from NonniMal, who was previously spotted dropping the classy "Freyja" 12" on AE Recordings back in 2016. Sound design is the order of the day on "Eitt" as a beautifully rendered set of percussive bell notes chime around a minimal rhythm section - a piece pointedly geared towards transcendence. "Tvo" has an intriguing slant to its groove, as the sharply oscillating synth wobble juts out against the grain of the drums. "Thrju" takes things in a bleak but captivating direction, while "Fjogur" cools the record down in a cloud of blissful, frostbitten ambience.
Review: Like its parent label, Oge's "White" series serves up regular missives of deep house/tech-house fusion with no hint as to the identity of the producer (or producers) behind the showcased tracks. We've no idea as to who made this EP, but we can confirm that it's well worth a listen. Opener "Neither" boasts dub house bass, rolling tech-tinged deep house grooves, spacey electronics and the kind of enveloping chords more regularly found on ambient records. "Liquid Luck" is a slightly more bustling chunk of warm and woozy tech-house-funk, while "Ascension" sees or shadowy hero (or heroes) make merry with cut-up synth-funk bass, East End Dubz style beats and some suitably alien electronics. Closing cut "Movement", meanwhile, offers a deeper early morning take on the European tech-house sound.
Review: After debuting his Pakzad moniker on Infiltrate last year, Justin Pak makes the leap to Burnski's Constant Sound with this assured set of electro workouts built for the modern age. "Timeless" is a snappy, vibrant cut with a serious amount of techno propulsion to match the crooked funk of the beats. "Clutch" has a more trippy, melodic twist, while "Correlation" hunkers down into a more backroom vibe as detailed as it is freaky. This is seriously executed electro from a fast-rising talent - nab a copy, drop it into a set and watch the bodies writhe.
Review: Following up a great inaugural release by Dragutesku, the sophomore release from respected Rominimal news source turned record label, Feeder, comes from ascendant artist Piktor, who serves up yet more of his ever reliable tech house grooves. The now Vienna-based producer/DJ is in fine from on "Similar Feelings": from the sublime futurism of the title track that displays his penchant for all things rolling and hypnotic, to the groovy minimal funk of "The Night Before" which sounds much more "afterhours" than anything else we've heard from him before. But it really is all about the powerful B side cut "The Gift That Keeps On Giving" which is exactly the kind of track you'd expect to hear on a heaving dancefloor at the upcoming Mioritmic Festival on Saturday night.
Review: Originally prolific in the late 90s and back with a renewed sense of vigour in the past few years, Dan Piu's classic, widescreen vision of hardware techno captures the verve of the original Detroit blueprint while bringing a fresh, welcome energy to the genre. This drop on Common Dreams brims with the same head-swirling magic, especially on vividly rendered lead track "Halo City". "Falling Framework" has a more mellow veneer, but there's still so much playful detail bringing the track to life. "Akira 2171" has an old-skool sci fi quality balanced out by its linear sense of progression, and "Ilipsyon" takes things deeper into a wistful jack reminiscent of the spookiest Trax output.
Review: We were really impressed by "Invisibility Theory", the Sushitech released debut album from Christi Cons and Vlad Caia's Sideways Invisibility Theory project. This speedy follow-up for Half Baked Records (under the truncated SIT pseudonym) is rather good, too. Check first A-side "Spectral", a typically epic excursion where warm ambient chords, deep space electronics and glistening electric guitar motifs bob and weave around a chunky analogue bassline and locked-in tech-house drums. B-side opener "Owl Farm" is notably wonkier and weirder, with druggy drums, mind-altering electronics and the trademark glitch-laden shuffle we've come to expect from Romanian electronic music. That vibe is explored further on twisted closing cut "Animation", a particularly alien example of skewed tech-house funk.
Review: Nick Beringer's Rubisco has served up some wicked grooves lately by the likes of Maik Yells, Ed Herbst and Diego Krause among others. The next one on the Berlin-based imprint comes courtesy of David Gab, label owner of Talaman out of Amsterdam. He is in great form on "Timeframe EP" with the tripped-out afterhours groove of "Take Me To My Planet" which combines the very best of UK and Romanian tech house sounds. On the B side we have the rolling and hypnotic backroom dub that is the title track, followed by the deep and boompty late night cut "Watkins".
Review: Russian tech house hero Tripmastaz is back with more adventures in swing, making a surprising appearance for PETS Recordings with his new jam "R U Happy". This rolling and hypnotic groove with its infectious vocal refrain and tunnelling melody ticks all the right boxes - expect to hear this everywhere from Hoppetosse to Club Guesthouse this year. On the flip, there's a tougher, funkier and breaks driven rework by Bass Culture main man and all round Parisian legend D'Julz which is equally worthy of playtime. The Plant 74 main man continues to impress us after some great releases this year on No. 19 Music, Tartouffe and Berg Audio.
Review: Mint Condition's ear for essential reissues has struck gold time and time again. Next up in their spotlight is a 1996 EP from Two Full Minds that was first released by Bushwacka! & DJ Vorn. Whether the agelessness of this record is a testament to the producers' original vision or a sign that dance music doesn't evolve as much as it thinks is unclear, but what's certain is that these tracks bang. There's the impish cosmic synths and clacking breakbeats of the title track, the brilliantly named "I Hate Anthea Turner", which is a spaced out garage-tech kicker, and ecstasy rush of closer "Space Port" all ready to do damage on the floor.
Review: It has been two years since Jay Bliss presented the last installment of his respected Stomping Grounds imprint, and now he's back with a third various artists EP. Bliss certainly has selected some of the scene's very best for contributions on SG 005: the ever impressive VICARI serves up the deep and dubby afterhours stomp of "Uncalminginfluence", before the label boss teams up with fellow Club Guesthouse resident Dragos Ilici for some quirky and glitchin' minimal funk on "Oobleck". Label staple Discret Popescu (aka Crihan) makes an appearance too, serving up the rolling and hypnotic "Lose Touch".
Review: Moscow's Shanti Radio crew have really honed in on their own little music niche: deep, laced with trance tones, and emotive house. Tunes from this hotly anticipated EP by Volen Sentir has been doing the rounds in certain DJs sets for as much as six months. Highlights are plentiful throughout but the title track is arguably the standout. Languid piano chords dropped over soft, succulent, dubbed out drum rolls while tribal vocal chat bleeds in and out of focus to add to the hypnotic effect, and some sensitive xylophone sounds supporting an all-important melody line.
Review: Baby Ford and Dazmos take the limelight on this first release on Nice 1. We Are Syd's original "Gently" is a mellow downtempo roller featuring choice vocals from Shea Seger, but it's the remixes here that get pride of place. Ford and Dazmos lock into an understated drum machine funk draped in hazy pads on the A side "Backroom Mix", while on the flip they push the club elements to the forefront. Riding the rhythm section with intent while still retaining the smoky spirit of the original, the pairing come up with an impeccable "Frontroom" club cut that should nestle comfortably into the bags of all deep digging house heads.