Ed Ed & Petja Virikko - "Sundroina" (feat Jinadu - Jimi Jules remix) (7:18)
Review: Zurich based DJ and producer Jimi Jules is one of the most promising upcoming artists within the international underground. With previous releases on top labels like Superfriends, Cocoon and local imprint Zukunft - he tops all that by being picked as selector for esteemed Berlin institution Watergate's 24th mix album. Here we get treated to a few exclusives from the mix on special vinyl format: on the first side we have Jules & Jesaya's +4 BPM Update of Ame's "119 BPM", there's also his collaboration with Domenico Ferrari on the sleazy lo-slung pop of "Parkuhr". On the flip, we soon discover its almost entirely a Jimi Jules affair (naturlich!) with his remix of Swiss/German duo Egopusher's "Flake" (venturing into truly sublime territory) and the dreamy and bittersweet tones of Ed Ed & Petja Virikko's "Sundroina" (feat Jinadu).
Review: Crew love is true love: Beste Freunde 05 is upon us and it's not likely to hang around. Once again it's a whole new collective of like-minded souls together for a fresh expedition. Anil Aras leads the mission with a rippling Detroitian understated number simply called "Track 1". He's flanked by Paolo Rocco and Moises. The former ups the temperature and gets us in a lather with the insistent pace of "Ill" while the latter sooths our souls and oils our joints with the slippery hypnosis session "Easy Beauty". Finally Esposito & Nadje run point with the heaviest tool of the trip - the bubbling technoid "HBP". Friends till the end!
Review: Default Records has returned with its second release after compiling a roster of artists who are committed to establishing presence in the scene by pushing boundaries and pursuing excellence. Camelia starts us off on the A side with *Transferring*, which presents itself in a light and airy atmosphere. Its playful percussive notes are juxtaposed against its hypnotic groove making for a warm and easy listen. Macarie follows with *Flu*, a vibrant and dance-inducing sludge of gritty, piercing elements that seamlessly blooms into an emotional melody that is driven by its tantalizing rhythm. Label boss Exander shows the heavier side of his creative spectrum on the B side with *Odyssey*. The fullness of this cut accompanied by its intriguing and directive vocal is only enhanced by its delicate features and attention to detail. Closing out the compilation is Lulla's *Distort Time* which reveals all its insides with a symphony of glitchy bleeps and blops all reinforced by a cadence of drums and groove that stirs it into an electric soup.
Review: Earthen Sea adds to the Kimochi Sound with a soulful examination of indistinct margins, suffused with dusky haze. It's a heady atmosphere and has a palpable heaviness throughout. Starting the record are the concrete reverberations of You Don't Never Know, followed by the murky ebb and flow of Fly. 13 Beat(less) is diffused ambience.
Shielding fittingly closes the record, and weaves Earthen Sea's many textures with intricate syncopation.
Review: Having built his reputation via a regular series of self-released 12" singles, East End Dubs is now beginning to make guest appearances on selected labels. Here he pops up on the long established, vinyl-only INFUSE imprint with a trio of club-ready concoctions. On the A-side you'll find "Gradual Steps", a rolling and attractive fusion of bouncy deep house drums, spacey, Motor City chord, thickset bass and glitchy tech-house flourishes. As usual, there's a wonderful swing to his drums and the stretched-out chords are hazy and evocative. You'll find more of these sumptuous pads and chord progressions on similarly-minded flipside cut "Mind Traps", while closer "Enhance" is another deep house/tech-house hybrid blessed with a notably epic breakdown.
Review: Tech-house's own cockney rebel, East End Dubs, has been busy of late. The master of DJ tools and rhythm-focused box jams kept up a steady stream of releases in 2016, delivering a trio of coloured vinyl treats. His first missive of 2017 comes on psychedelically inclined "splatter" pattern vinyl, but doesn't stray far from his usual musical blueprint. On the A-side you'll find "Swing Riddim", where liquid chords and spacey electronics cluster around an immaculately programmed, bass-heavy tech-house groove. B-side "Lexa Groove" is a slightly deeper and more becalmed affair, even if it does boast a more sizeable bassline and chunkier drums.
Review: Prolific producer and sometime Eastenderz label chief East End Dubs is back with two more top-notch tools for discerning tech-house DJs. A-side "Spells" is a bouncy roller: a smooth, groove-based excursion where deep and spacey chords and riffs wrap themselves around a restless, locked-in, early morning rhythm track. Flipside "Ruby" is altogether moodier, crunchier and low-slung in feel, with creeper electronic loops, pulsing chords and crackling textures rising above a snappier, Parisian-style tech-house rhythm track. While a little bolder percussively, it's just as hypnotic and gently mind-altering as its predecessor. If you're looking for some sturdy, mid-set material, this EP is well worth checking.
Review: Edanticonf has been a mainstay of Silent Season for many years now, first delivering an album and EP to the Canadian label back in 2012. Since then he's travelled to labels such as M_REC, Wolfskuil, Phorma and Linear Movement, but he's back home to roost with this gorgeous four-tracker that plays on his trademark sound. Rich with melancholic synth work and moving with a purposeful but thoughtful pace, this is exactly the kind of evocative techno that makes Silent Season a buy on sight label. Every track tells its own story, but the starry twinkle of "The Metamorphosis Of Plants" is especially captivating.
Review: The Untold Stories shine a light on another lesser known practitioner from the field of adventurous minimal techno. Sebastian Eduardo has been previously spotted on Crosiere Musique and Kommuna Tapes, so you can be assured of his quality, but this EP makes the perfect opportunity to hear just how rich his sound is. "Twelve D Soul Connection" shimmers with deft synth interplay and a dense fabric of crooked percussion. "UI Enhancement" channels the spirit of old-skool micro house to great effect, and then "Lyhne's Death (But The Flowers Are Laughing)" brings a tougher techno undercurrent to the trippy pings and wavy pads that dart around the top of the mix. The whole record is a richly detailed trip well worth your attention.
Review: Edward's graceful take on modern house and techno is a perfect fit for Trelik, and the German producer sounds comfortable as he unfurls swooning threads of otherworldly music for the tripped out dancefloor. The "Ogermania Mx" of "Mikko" is a hazy, string soaked affair pitched somewhere warm and dreamlike, but there's plenty of energy churning away in the lower register. "Lottery" is a more twitchy affair for darker times, all moody bass bounce and looming drones around a shuffling set of percussion. "Groaning Ghosts" is the techiest of the bunch, and there's a whole lot of freaked out sound design swirling around in the mix as well. This is simply stunning, highly advanced dance music from a modern day maestro.
Review: We have seen some pretty inventive remixes and mashups on the new EEE imprint, but this could well be the most exciting yet. Once again it's another hand stamped one-sided vinyl on offer, featuring a groovy minimal/tech-house arrangement with vocal samples of one certain pop princess - namely one of her very famous hits of yesteryear. The artist behind it, as always, is being kept under wraps but there's no hiding the fact that this is some seriously heavyweight club ready business.
Review: More from single-sided specialists EEE, a shadowy crew that specializes in sneaky contemporary club reworks of well-known tracks (many of which are, in their original form, about as dancefloor focused as your average miserable indie band or veteran cabaret crooner). What's on offer this time round is a heavily electronic tech-house groove - all Romanian style beats and bubbling, mind-altering synth notes - onto which is laid cut-up snippets from a famous old blues cut that's previously been sampled on a club cut to great effect. While the vocal does sit slightly awkwardly at times, there's no denying the heaviness or effectiveness of EEE's track. In other words, it's another winner from tech-house's most shadowy crew.
Review: The shadowy EEE series has already brought us tasty and much-played tech-house interpretations of a familiar jazz-house gem and a string-laden '80s synth-pop shuffler. Their third single-sided affair - as championed by Zip and Riccardo, no less - takes on a much-loved early noughties R&B classic, placing carefully selected and sequenced vocal snippets around a seriously snappy and sub-bass-heavy groove. Although tech-house in style - note the glitchy electronic noises and spacey effects fixed to the beats - the track's infectious rhythm track was clearly influenced by the current electro revival. This added swing and shoulder-swinging looseness, coupled with the familiarity of the vocal elements, makes EEE03 a guaranteed peak-time winner.
Review: Madonna, Depeche Mode and Kelis - what do East End Edits have in store for us next? This seventh instalment harks back to the charming deep jazzy house of their inaugural release - think of the legendary St. Germain and that should give you a fairly good idea. The track's smoky, late night jazz bar vibe is complemented by a rolling bass and swinging rhythms that should appeal to the likes of Rhadoo or Petre Inspirescu - legends of the Romanian scene who themselves have lent their deft hand to the French producer's work as remixers in the past, too.
Review: The first volume in the mysterious EEE series simply flew off the shelves. It featured a tidy, on-point rework of one of the most celebrated jazz-house records of all time. This time round, the mystery remixer - who seems to prefer subtly beefing up tracks with new beats and one or two new musical elements - sets his or her sights on a classic chunk of moody British synth-pop from Basildon's finest. The new rhythm track sits somewhere between metallic electro and hypnotic tech-house (think clipped, fizzing electronics, and squeezable kick-drum sounds), while much is made of the original synthesizer strings and recognizable vocal. It's a tidy and undeniably floor-friendly version, all told, and will no doubt be very popular with DJs.
Review: "The debut release from new label, music makes us, comes from prolific producer Ekkohaus. a man who needs no introduction with previous releases on the likes of Moonharbour, Morris audio, Circus Company, 2020vision and Liebe Detail. He delivers a blistering 3 track acid tinged ep which kicks off with "Block Parties (Dark Entry)", a driving acid bassline with a great vocal layered on top. "Show You Saw" on the b-side is a grooving acid house track, whilst "The Wack" finishes off this debut release in syncopated style."
Review: Ekkohaus is no stranger to the house scene!! You can hear his intelligent, funktifying rhythms and grooves on imprints like Morris Audio, 2020 Vision, Circus Company, Flumo, Eklo, Mule Electronique, Brut, Moon Harbour, Holic Trax, Claap, Gruuv, Hudd Traxx, Diaphan Music and now MixxRecords!! We welcome the Greek native with open arms...
This special 10" purple colored vinyl is most appropriate as for the entitled "A" side is called "Purple Divine" and divine it is!! Playful percussion and drum-work along with a simplistic, melodic bass groove keeps you in hypnosis just longing for more!
You'll find a more jacked-up and jazzed up pump on the "B" side with "Ordinary People". DEFINITELY a house banger!!
Review: LA-based producer Mor Elian has already scored big releases with her two previous transmissions, landing on Prime Numbers and Hypercolour, as her reputation rises in the field of dynamic deep house music. On this turn for Finale Sessions she lays down some of her strongest work to date, amping up the dubby tendencies on "Orionids" before heading into a propulsive techno dimension on the wonderfully airy "Light Pollution". EP closer "Echo Park" meanwhile fuses a disparate spread of electronic sounds into a mechanical yet strangely inviting construction for adventurous heads to get lost in.
Review: Moda Di boss and Freerotation resident Tom Ellis joins the growing roster of established artists releasing atmospheric club tracks on Berlin's Dokutoku Records. The Wales-based producer is in fine form throughout. He begins with the bluesy shuffle of "I Should Care", where sampled jazz piano and vocal snippets weave in and out of a minimalist techno groove, before channelling his inner Ricardo Villalobos on the wonky and creepy "El Humo". "Number X" is a more traditional techno workout rich in distorted drums, spaced-out vocal snippets and bubbly Motor City stabs, while closing cut "Still Only One" is a pleasingly bleep-heavy fusion of electro attitude, ambient vibes and stripped-back techno hypnotism.