Too Late For Nonesense (Omar live Out Of Box tool) (6:25)
Review: Indigenous Electronic's second release the "No Market for Emotion" EP pushes further into organic territory with a hardware driven release. The A side sees two tracks on the dubbier end of the spectrum recorded by Iranian producer Ramtin Niazi, a musician with a background in instrumental music, now with a greater focus on machine orientated electronic music. Niazi's contribution sees him delivering two low slung tracks: "Naked Dub" progressing with Lush emotional pads and "Cash Dub" a moodier counterpart. The B side sees the label's head Omar Jayyusi's debut release, with two entirely out the box jams recorded straight to two track. "Pyramid" has a deep and solid rumbling low end, acid basslines and percussive drums. "Too Late for nonsense", is a sub-bass focused micro house dj tool, punchy and reaching the lower end of the dynamic range.
Limited release of x 200 vinyl only without repress.
Review: Thomas Berg's Soundscape Versions has Berlin very much at its heart; we're not talking street creds or look here, but purely musical aesthetic. It's champion artist, Octaedre, makes gorgeous swirls of dub techno and is named after one of Basic Channel's infamous 12"s, a totally fitting chice once you hear the fine groove of "M Nature II". Following the shadowy producer is E110 and the majestic glide of "Empty", another dubbed-out slammer, and while Mirage Man retains a form of dubbiness to his sonic manipulation, "6AM" is significantly more stripped-down and beat-heavy; "Tascam Loops" by Kuf takes a grainy palate of beats and bleeps, washes them over a fading glow of a bassline and wraps it all up in a nice techno package for you - probably the best tune on an already stellar EP. TIP!
Review: No one knows who One Day is. No one knows what the title of this EP is called. No one knows what the tracks are called. But we know that this is Office... And everything Baaz's Berlin-based label puts out has a great deal of detail invested in it and always requires attention. This is no exception as the mysterious vibe maestro takes us from warm, jazz-tinged chugging deep house to cascading aquatic ambience that bubbles and pops dreamily via fuzzy, springy downtempo. Who knows who's behind this masterpiece? Maybe One Day we'll find out...
Review: If you were around in 2006 and you hadn't heard Oxia's legendary anthem "Domino", you must have been sleeping under a rock! The track has certainly stood the test of time; so much so that the French producer has decided to celebrate its ten year anniversary with a series of remixes by some of the scene's current best. Some may say if it 'aint broke, why fix it? But rest assured that these renditions are equally worthy of your attention and come courtesy of Agoria's Sapiens imprint. m_nus alumnus Matador serves up a more hard hitting version than the original, where tough drums support adrenalised drones and Detroit style string stabs. Finally the master himself Robag Wruhme delivers the goods as always with his rather sublime "Lasika remix". The man's uncanny ability to recreate tracks that can compete with the original's quality is something to behold.
Review: The FUSE London crew are back everyone, look out! Bringing the sound of their legendary daytime raves to us again and getting straight down to business on Enzo Siragusa's third edition of 5 are label mainstays Rich NxT (with the rolling and adrenalised "Badass") and the always impressive OdD aka Damian Daley & Danny Dixon joined by newcomer Rossko (making his production debut) on the rolling hypnotism of "Jabba The Hut". On the flip is Moscow Records boss Archie Hamilton (another mainstay of the label) with the woozy and tripped out after hours deepness of "Cirrus" and the Deep End Soundsystem affiliated Sam Bellis with the gutsy acid driven "Solstrole".