Review: Crew love is true love: Beste Freunde 05 is upon us and it's not likely to hang around. Once again it's a whole new collective of like-minded souls together for a fresh expedition. Anil Aras leads the mission with a rippling Detroitian understated number simply called "Track 1". He's flanked by Paolo Rocco and Moises. The former ups the temperature and gets us in a lather with the insistent pace of "Ill" while the latter sooths our souls and oils our joints with the slippery hypnosis session "Easy Beauty". Finally Esposito & Nadje run point with the heaviest tool of the trip - the bubbling technoid "HBP". Friends till the end!
Review: Default Records has returned with its second release after compiling a roster of artists who are committed to establishing presence in the scene by pushing boundaries and pursuing excellence. Camelia starts us off on the A side with *Transferring*, which presents itself in a light and airy atmosphere. Its playful percussive notes are juxtaposed against its hypnotic groove making for a warm and easy listen. Macarie follows with *Flu*, a vibrant and dance-inducing sludge of gritty, piercing elements that seamlessly blooms into an emotional melody that is driven by its tantalizing rhythm. Label boss Exander shows the heavier side of his creative spectrum on the B side with *Odyssey*. The fullness of this cut accompanied by its intriguing and directive vocal is only enhanced by its delicate features and attention to detail. Closing out the compilation is Lulla's *Distort Time* which reveals all its insides with a symphony of glitchy bleeps and blops all reinforced by a cadence of drums and groove that stirs it into an electric soup.
Bongbeck - "The Robber's Daughter" (Ghiz Retouch) (6:06)
Makebo - "Unknown Beauty" (9:09)
Review: Moscow's Shanti Radio imprint has been on fine form of late, offering up must-check 12s from DSF, Lost Desert, Volen Sentir and many more. Here they offer up their first multi-artist EP of 2019, an undeniably attractive and ear-pleasing affair that effortlessly joins the dots between deep house, tech-house and more percussive tribal flavours. Highlights are plentiful throughout, with our picks including the string-drenched, bittersweet brilliance of Makebo's "Unknown Beauty", the sub-heavy throb of Ghiz's tasty rework of Bongbeck's "The Robber's Daughter" - all rolling hand percussion, insanely weighty bass and picturesque melodic flourishes - and the sunset-ready dancefloor bliss of Cornucopia's impeccable "Nature Boy".
Review: Moldova-based Resonanz are back with their third edition of minimal oddball house grooves. Considering its close proximity to Romania; we're definitely interested in hearing what this bunch is up to. Starting out with the hypnotic low-slung tribalism of Andrey Djackonda's "Calida Noche", we then get treated to Dimitri Monev's "Makaulu" a druggy broken beat experiment in maximalism reminiscent of Barac or Suciu; it's pretty wicked! On the flip the loopy and dusty deepness of Leparente's "Leflor" will definitely get good vibes happening at the after-hours while Maarka's "Reveranz" is exactly the kind of tunnelling trance inducing groove that we like, kind of like when Cristi Cons or Vid are on point, if you get what we mean?
Shintaro D - "Kohisikarubeki" (Mr KS remix) (13:07)
Review: The Jus Groove It label is, of course, all about deep house music, and who better to help them in their quest than Djebali? The French producer is on exceptional form with the reduced but utterly seductive remix of Rhythm&Soul's "Andromeda's Dream", making dubbed out melodics and a mean bassline do all the work to deadly effect. Shintaro D gets reworked by Mr KS on the flip, and things get a little freakier with some errant synth wobbles and a minimal groove making for a distinctive, ear-snagging end result. It's definitely a record of two halves, and fortunately both halves are excellent.
Review: Given that Music Man regular Petar Dundov and Systematic boss Marc Romboy are both hugely successful producers in their own right, you'd expect this first collaborative release to be rather good. It is, of course, with pleasingly melodic A-side "Garden of Cyrus" leading the way. While the track's muted (but heavy) drums and squeezable acidic bassline provide the energy, it's the duo's layered electronic melody lines that really catch the ear. If you're in the mood for something darker and more suitable for pitch-black Berlin basements, creepy and hypnotic flipside "Caper Tran" should more than fit the bill.
Review: Mohammad Reza Mortazavi is the perfect companion to Burnt Friedman's steely, minimalistic shades of broken dub techno. The Iranian percussionist comes as a surprise addition to the Nonplace catalogue, but he certainly makes for an even more cerebral drumming experience than the already off-kilter world of Friedman's tunes. Both the A-side's mixes of "Yek" are just on the right side of dark, combining Eastern influences together with colder, more industrial executions from the West. On the B-side, we have a similarly frenetic experience, where metallic drums collide with deep baselines and polyrhythmic flows spanning the full circle. Well, this might just be our favourite Nonplace yet!
Review: The high grade, leftfield approach to house music Lyssna have set out as their MO continues in fine style on this new Colours series, starting with the Yellow EP and a strong cast of characters from the outer reaches. Riciar Ghir opens up proceedings with the tumbling deep house of "Cargo", making the keys dance with distinction and injection a subby rumble where it counts. Minimal Afrika follow that up with a percussive tryst entitled "Drakma Queen" that blossoms into a sumptuous ambient excursion. Robotalco takes a very different approach with some classically pumping sample-powered house music to shake feel-good fists to, and then Klubbhuset finishes up with an impassioned romp through peak time disco licks for the peak of the night.