Review: Mulen's latest must-check release is a collaborative affair from experienced producer Alexis Cabrera (Raummusik, Salty Nuts, Yaji) and Jorge Saveretti (Esperanza, Visionquest, Cadenza). Given their collective history, you'll be unsurprised to learn that the "Some EP" is really rather good. They set their stall out via an impressive title track that wraps spacey but funky riffs, deep space pads and undulating acid lines around a memorable bassline and typically swinging tech-house beats). "KInda" tips a wink to the glitchy, bass-heavy sound of Romanian minimal techno and the swinging intergalactic tech-house funk of Paris's YYY label, while "Science" is a deep, woozy and wonky affair full of minor key bleeps, jazzy motifs and locked-in beats.
Review: Constant Black continues its superb string of releases with this latest outing for the imprints close affiliate Michael James. The label run by Burnski and Jon Woodall hands things back to James for an outing of deep minimal grooves. "Bosh!" starts things out just how you would expect with a title like that, strong punching swinging rhythms ready to sway any party. "Pol" and "Hallucinate" keep the momentum going with sleek minimal works, which are sure to be utilised across the globe this summer!
Review: The fourth release from London-based label Eya continues to shape out an intriguing identity that nods to classic techno tropes while charging ahead with their own agenda. Label boss Jos' "Planet Eya" sets a lively pace with its forthright drum machine jack offset by warm synth licks. Evil Knebel matches the tempo and weaves in a cosmic set of tones, which Poten then cosigns with the equally trippy, propulsive "Intransigence". Jos is back at the helm for closing track "Purify", which strikes a darker tone without losing that raw, vintage techno flavour that makes this label one to watch.
Review: Washington DC's Justin Nouhra has been intermittently slipping out high grade minimal house on labels like Silence In Metropolis and Cahoots for the past five years, and now he's been snapped up by Courtesy Of Balance for an impressive three-tracker loaded with shimmering tones and elegant grooves. "Subpoenad" has an irresistible bump and some starry eyed synth flairs that melt into the ears very easily indeed. "Day Job" follows a similar tact, with some more pronounced chords punching through the mix. "POV" rounds the EP off with a bugging bouncer of a track, and yet more of those pristine, sweetly filtered tones amidst the slender drums.
Review: The always on-point SlapFunk continues its sixth round of Raw Joints with another four razor sharp jams from a gifted contingent of contemporary producers. Lopaski actually delivers something with the delicacy of Jan Jelinek's finest early micro house productions, but strapped to a more pronounced rhythmic undercarriage. Pascal Benjamin gets into a quintessential minimal house groove that sounds right at home on SlapFunk, while JAMM brings a tougher set of beats to the table. SE62 rounds things off with the loose and limber shuffle of "Fear", which doffs a cap to garage while keeping things dark and deadly.
Manuk & Oli Silva - "Nevermind The Crispies" (5:55)
Eliaz - "Verdico" (7:06)
Meta 4 - "Urnammu" (7:45)
Jorge Gamarra - "Dypac" (5:42)
Review: There's a certain air of buy-on-sight mystique around EYA Records, somewhere between the low-key presentation of the music and the cult artists they're calling on to realise their particular vision of deviant dancefloor business. This is unabashed freaky party tackle, from Manuk & Oli Silva's delirious B-movie jack track "Nevermind The Crispies" to the uneasy electro snarl of "Verdico". Meta 4 has equally nightmarish moods to share on the graveyard acid of "Urnammu" and Jorge Gamarra seals the deal with the schlocky braindance horror of "Dypac". It's the kind of record that you'll be reaching for come Halloween, trust.
Review: EYA Records branch out with this crafty, wriggling slab of freaky techno diversions on new imprint Lonewolf. Meta4 twists all kinds of gnarly subversion out of "Four Body Centers," where the funk of foundational Detroit techno collides with the rampant machine messing of UK acid for stunning results. There's an eerie ghost train vibe hovering over Jorge Gamarra's "Pact", while "Langan" by Twophaseu drops a fresh UK twist on electro. Meta4 returns to bookend this ear-snagging EP with the equally catchy oddball trysts of "666blank", another devilishly deviant slice of underground party music for the ghoulish crew.
Review: Notching up 15 successful years as a record label is some feat in this day and age, so it's understandable that Systematic has decided to mark reaching this milestone in style. The German imprint's anniversary EP - a tidy looking picture disc - fittingly kicks off with a track by founder Marc Romboy. He's at his mesmerizing best on "Shooting Stars Never Stop", a deep tech-house roller rich in cascading melodies, starry electronics, subtle acid lines and clanking machine drums. Rodriguez Jr offers up the elongated chords, hypnotic grooves and glassy-eyed positivity of "Okeechobee", before Artbat doffs a hat to mid-90s UK techno on the aptly titled "Orbital". To round things off, John Digweed joins forces with Nick Muir on the shimmering brilliance of "Alkouln", whose loved-up breakdown is simply stunning.
Review: It has been two years since Jay Bliss presented the last installment of his respected Stomping Grounds imprint, and now he's back with a third various artists EP. Bliss certainly has selected some of the scene's very best for contributions on SG 005: the ever impressive VICARI serves up the deep and dubby afterhours stomp of "Uncalminginfluence", before the label boss teams up with fellow Club Guesthouse resident Dragos Ilici for some quirky and glitchin' minimal funk on "Oobleck". Label staple Discret Popescu (aka Crihan) makes an appearance too, serving up the rolling and hypnotic "Lose Touch".
Review: After a two-year absence, Aline Brooklyn - New York's surprise home of Romanian style minimal techno adventures - has returned with a bang in 2019. They've launched the "Original Series", with March's debut release from Mihai Pol being followed by this eight-track album from Nico Laa and Juan Cristiani. The pair begins in confident mood via the melodious tech-house funk of "Drastic", before wrapping chiming lead lines and spacey electronics around a low-slung groove of "Mars". More warm, deep house style motifs can be heard on "Good Morning Brooklyn" and the bumpin' goodness of "New York", while "Loop People" is a hazy, minimalist jack-track. Elsewhere, "La Rose" is woozy, dreamy and quietly picturesque (despite locked-in tech-house beats) and "Senor Lopez" is snappy and funky in the best possible way.