Review: Back in 2008, noted experimentalist Alva Noto began a sporadic series of albums that were far more focused on dancefloor-inspired rhythms than his usual eccentric and inspiring fare. Unieqav is the third and, we're told, final part of the series. The album is apparently meant to be a sonic representation of an underwater dive, a conceptual theme which manifests itself through the storied producer's use of deep and atmospheric chords, fluid and occasionally glistening electronics, and rhythms that evoke images of ever-deeper dives into the dark, cold depths. Rhytmically, there are nods to electro, IDM, dub techno and Autechre, though the mood remains laidback and intoxicated throughout.
Review: Innervisions bosses Frank Wiedemann and Kristian Beyer return as Ame, and present their first full length entitled Dream House - described as a home listening styled journey. The German duo spent three years working on the LP and it features collaborations with legends of German electronic music such as Roedelius and Gudrun Gut, as well as Bolivian singer David Lemaitre and Jens Kuross - who was a member of Wiedemann's other venture The Howling, with Ry Cuming. Highlights include their dramatic collaboration with Matthew Herbert "The Line", the upbeat disco number "Blind Eye" (featuring Planningtorock), the chill balearica of "Positivland" and the evocative/melodic dreamscape of "No War".
Losoul - "Love Supreme" (Its All In There mix) (9:57)
The Moul - "Love Supreme" (Drum mix) (4:40)
Metaboman - "Love Supreme" (Metabomix) (5:57)
Dave Aju - "Love Supreme" (A Dub Supreme mix) (8:10)
Ark Pit Spector - "Love Supreme" (A Rush Supreme) (6:14)
Ark - "Love Supreme" (Free mix) (7:06)
Review: Parisian oddball house legend Ark teams up again with fellow local and Prospector head honcho Pit Spector to inaugurate Ark Records. A longtime in the making no doubt but worth the wait. Love Supreme LP as the title suggests is a tribute to the legendary John Coltrane and the pair have drafted a who's who of deep house and minimal to lend some hands and ears. Highlights include The Mole's "Molemix"; a sublime serving on reductionist bounce, Frankfurt genius Lo Soul who is as brilliant as ever on the sublime and hypnotic "It's All In There Mix" and Ark himself with his "Free Mix" which is as dusted down and as funked up as we all like it!
Review: Artists who made club-focused music tend to debut with singles or EPs, so it's something of a surprise to find that Arno's first release is a triple-vinyl album of tasty dancefloor tracks that sit somewhere between hypnotic tech-house, warm deep house and mind-altering electro missives. As debuts go, it's very impressive, with highlights dotted across all three slabs of wax. Our current favourites include the skittishly funky electro skip of "Sacre Bleu", the sparse, bass-heavy minimal techno throb of "Start Making Sense", the ghostly deep space shuffle of "Set Me Free" and the out-there wonder of "Cleopatra Jones", where oddball electronic noises rise above a deep and drowsy bed of hazy ambient chords and densely layered drums.
Review: Having given keen listeners a healthy preview in his Fabric live mix last year, the artist formerly known as Stopmakingme delivers his full-length album for Erol Alkan's Phantasy Sound. It's a limber brew that channels a strong dose of analogue trickery through smart and snappy beat constructions, all bubbling, aquatic synths and troubled delays propelled by unfussy drum patterns so that the melodies can do the talking. Primarily this is a dancefloor album, moving from peppy breakbeat driven numbers to gently bumping house, but always the playful, ineffably warm synth work sets the tone, from "Naive Response"s robotic charm to "Drone Logic"s soaring grind. It's an album brimming in confidence and nailed with precision, and it's packed full of incredibly usable floor rockers to boot.