Back catalogue: Leftfield

Review: It can often take months or even years of therapy to even begin to start addressing the real reason you're in the room talking to a trained professional. For Gazelle Twin, it has taken three albums - and more than a decade - to get to a point where it feels comfortable enough to turn her razor sharp songwriting gaze inwards. So, whereas before we heard observations on outward looking subject matter, here we take a turn for the insular. The result is an altogether darker experience, musically and thematically. There's a constant sense of drama and tension to this art-pop odyssey, and subjects such as childhood trauma - and its impact on our adult selves - are never off the table. Almost operatic, while there's plenty here to challenge, not least the universal expectation that later in life things get less scary, ultimately Black Dog is also about overcoming and confronting our most existential fears.

Review: Jonny Greenwood is of course best known for his work with Radiohead, but like all members of that particular band he has side projects. The latest was soaring the music for the film The Power of the Dog. The result is a dark, absorbing and disturbing listen to accompany Jane Campion's Western with Benedict Cumberbatch in the lead as a difficult cowboy in early 20th-century Montana. It is Greenwood's third movie soundtrack this year alone with Pablo Larrain's "Spencer" about Princess Diana already out and next up Paul Thomas Anderson's "Licorice Pizza" arrives before the end of the month.