Review: After the brilliance of his intoxicating Themes From An Imaginary Film album, there's no doubt that Chromatics producer Johnny Jewel is on a roll. Here, he returns to his roots to helm the fourth full-length from the futurist crew, their first since 2007. In typical fashion, it's a beguiling set that draws on Jewel's usual cinematic influences. Musically, it sounds like a particularly heart-aching road movie, shuffling across the mid west via dark soundtrack moods ("Candy","11th Hour" and "Dust To Dust"), fragile balladeering ("Birds Of Paradise"), eyeliner-laden electronic moodiness ("A Matter of Time"), and Johnny Marr-goes-to-the-movies indie-pop (see "Kill For Love", "Into the Black" and "Back From The Grave").
Review: On its initial vinyl and download release late last year, Cherry was proclaimed by critics as being one of Chromatics' strongest albums to date. Given that the Portland band have now released seven acclaimed sets, that's some claim. This first "deluxe" CD edition adds previously unheard cuts and alternative versions, but it's the core set - featured on the first half of the CD - that really sparkles. As you might expect, it's not only full of the atmospheric, slow motion synth-pop with which they made their name, but also a swathe of cuts heavily influenced by the cinematioc soundtrack work Jonny Jewel has been concentrating on since their previous full-length dropped back in 2012. In other words, it's quite possibly Chromatics' most evocative and rounded set to date.