Review: You can always count on Afrikan Sciences to flip the script with what you think soulful electronic music should sound like. Tearing the grid up and pinging off on a cosmic voyage in between the notes, this is futuristic, jazz-minded machine music of the highest order. "Reciprocess" is a shuddering, but surprisingly focused exercise in cracking open the house music structure, while "Hullman Z" gets into a brilliantly futuristic boogie. "Just In Case I Do" takes a more laid back approach without eschewing the essential dose of freakiness, and "Son Shine" takes things in an explicitly broken beat direction with spellbinding results.
Review: Automatik-Datamatik is a label based in western Germany and founded in 2008 by Adalbert C. Kupietz. He would like to present you with this release, which is a tribute to his late father Leszek J. Kupietz. He was passionate drummer in the 70s/80s and is said to have toured intensively with his band all over the world. Although they never had the opportunity to collaborate directly, Adalbert had access to some of his recorded drum skills on this record. Electronically packed with analog synths accompanied by Leszek's Sonor drums. Used extensively on the album were PPG Wave 2.2, Fender Rhodes, Rhodes CHROMA, Hohner Clavinet, Yamaha CS-50VP-330 diverse ARPs, Korg and Roland Synths.
The McDonald's Prayer (Japan Blues regrind) (5:58)
The McDonald's Prayer (Ossia Milkshake mix) (3:19)
Review: Seb Gainsborough and Chester Giles' ASDA project has been one of our highlights over the last couple of years. Through their punky, deranged aesthetic, the duo have given new meanings to the spoken word disposition and, in the process, left the doors wide open for interpretation. The music scene needs that. We need that. It's as if their work has cleansed the air for us and taken our minds back to a time when genres weren't such a big deal; a palette cleanser, if you will! "The McDonald's Prayer" marks their second outing on for No Corner and, much like The Abyss LP, the tune blazes through poetry with disparate shots of bass and sparse percussion stabs. This is all rendered all the more special thanks to a remix from London's Japan Blues, whose remix duties ever since that pair of bruisers for Place No Blame have become household favourites of ours, and he's on form here; a lo-fi slew of bass moulds around hazy claps and peaceful melodies to create a masterful groove. Ossia comes in for the second remix, this time stretching the original out onto some vintage Metalheadz vibes... minus the breaks. Sick.
Review: Helena Hauff's label is back, this time presenting a various artists 12" that heralds the start of the No Return series. The release starts on a mystical bent with the Eastern-tinged death electro of "El Carmel", sounding ripe for a Hague-friendly warm-up session. Neud Photo then take over with a dystopian trip through rich synth tones coloured in dark hues for the bleakest of robotic fantasies. Antoni Maiovvi fills the B-side with the slow grinding bombast of "The Dig", bleeding out a noirish take on coldwave for the darkest hearts to swoon to.