Review: It's been a good week for Asylum, whose robust contributions to the Persistence's just-released third multi-artist EP have been picking up major plaudits. This limited-edition 7" single sees the unheralded producer mark his debut solo release with a decidedly spooky and foreboding chunk of industrial IDM. It boasts droning, fuzzy guitars and dystopian melody lines rising above a distorted, off-kilter drum rhythm. On the B-side, Downwards co-founder and '90s techno survivor Regis provides a remix that harnesses the inherent exoticism at the heart of Asylum's original while stripping back some of the darker elements that make the original version such a moody listen. His sparse but rolling drums are particularly impressive.
David Bowie/The Rebels - "Revolutionary Song" (4:42)
Marlene Dietrich - "Just A Gigolo" (3:34)
Review: Here's something to get Bowie fans hot under the collar: a first worldwide pressing of the Thin White Duke's "Revolutionary Song", his only contribution to the soundtrack of 1978 West German flick "Just A Gigolo", in which he also starred alongside silver screen legend Marlene Dietrich. The song was recorded with a local band of musicians hastily dubbed "The Rebels" and sees Bowie in classic crooner mode, adding his distinctive vocals to a jangly, largely acoustic number that's effectively a folksy take on waltz. Over on side B there's a chance to enjoy one of Marlene Dietrich's last ever recordings: an atmospheric cover of 1930s cabaret standard "Just A Gigolo" which ended up being the movie's title track.
Review: Although he built his reputation as party-starting DJ, Mister Saturday Night co-founder Justin Carter has always been a singer-songwriter at heart.This debut solo release sees him delivering evocative, folksy vocals over plucked acoustic guitar lines and ghostly backing vocals. The song's fragile, slightly woozy nature comes to the fore on the flipside "Version" mix, which only emphasizes the weary beauty of Carter's lyrics and vocal performance. It's a bit of a sideways step for Mister Saturday Night, but then the label has never played by the rules.
Review: The mighty Cherrystones originally dropped the crackling party heat of "Blood, Campari & Sand" on his own Bandcamp page, and now he's doing the right thing and committing it to wax via Duca Bianco. It's a vital, funk-rooted jam that revolves around dusty drum licks and piano, as badass as it is considered. "Meta Weta on the flip is equally cool in its execution, this time using some uneasy synth pulses that reverberate between the laconic step of the beat. Drawing on library music, Giallo and deep-digging grooves from the outer reaches, Cherrystones once again demonstrates his knack for off-kilter tackle to get the freakier party set moving in approval.
Review: Fresh and contemporary intergalactic reissue action from the ridiculously on-point Finders Keepers! For many old-school gamers and general niche nerds, the sounds of the inimitable Atari machines were the foundations of gaming culture. Never strictly available in soundtrack format until now, Suzanne Ciani's shimmering, quasi-techno sounds are the perfect example of the futurism that characterised the 1980s. This particular release features the opening theme and jingles from the Liberator game, which means that the wonderful Finders Keepers could certainly be planning another Atari-related release in the near future. He right, but in the meantime do not sleep on this badboy
Review: By now Future Nuggets have surely been established as one of Romania's leading exponents of leftfield electronic oddities, and they don't disappoint on the surprising delights of this new 7" from Renato Din Sala and Ion Din Dorobanai. There's an Eastern lilt to the vocals and melodies on both tracks, but they're framed by some wonderfully quirky synth parts and budget drum machines. "Nu E Injoseala (N-am Carti De Credit)" in particular capitalises on cranky monosynth squelch and organ wails, while "I Love You Viata Mea (Lema)" takes a more energetic approach and works some Rhodes-like sounds into the mix.