Up The Stuss レコード& CD

Review: For the latest missive on his Up The Stuss label, Chris Stussy has joined forces with fellow Dutch star Locklead for a first collaborative EP as Across Boundaries. As you'd expect, it's a bouncy, chunky and melody-rich affair whose four tracks remain focused on the dancefloor throughout. Title track 'Sense of Future' is warming, dreamy and undeniably summer-ready, with talkbox vocals, elongated chords and bubbly electronic lead lines leaping above a thickset bassline and energy-packed beats. 'Strummer' is a more tech-tinged affair - check the meandering, TB-303 style motifs, sci-fi sounds and rolling drums - while 'Nightcreeper' is a foreboding peak-time pumper and 'Cold December' sits somewhere between classic deep house and elastic European tech-house.

Review: A decade or so after making his debut, Greek producer Lee Burton is rightly revered as an artist with a trademark sound and a variety of rock-solid EPs to his name. Chris Stussy has long been a fan, hence bringing him to his Up The Stuss label for the first time. Burton has delivered, giddily skipping between sub-heavy, acid-laden peak-time hedonism ('Sinewaves'), rolling deep house funkiness smothered in intergalactic melodies and spacey chords ('Burning'), deep and acidic techno (the big room ready headtrip that is 'ITICF'), and the kind of immersive, loved-up and acid-flecked house goodness that's tailor-made for those light moments just before dawn ('Love Motion').

Review: Chris Stussy's Up The Stuss label is one of the hottest out there right now - a fresh label setting the underground with its mix of spaced out breaks and deep house, slick minimal and futurist techno sounds. Jhobei is part of that revolution and lands here with a fresh four tacker that cones on nice blue vinyl, with 'Slink 'N Slide' - a throwback sound with rave overtones and rapping basslines that never quit - and 'Viral Vendor' (Trance mix) among the rigid groove highlights.

Review: Kolter, hailing from Cologne, Germany, delivers a fresh - we don't use the word lightly - new four-tracker, 'That Was Fresh'. Centring nominally on the infamous literal breakbeat vocal sample, this EP plays out as a contemporary take on the breakdances and funk backbeats come electronic dance bangers of yore. Beginning with an impossible-missioned eponymous A-sider, before moving into flat beat electro house of 'This Is It' and the cascading metro-synths of 'Feel', before finally concluding on the retro trance rejoinder, 'I'm Fine, Thanks!', there's really something here for everyone.

Review: Dreamy and to-the-point deep house cuts from Malin Genie. The shifty, twisty A-siders 'Phaethon' and 'Gamma Gazette' draw on all manner of stylistic influences, from chiming bells, deep BoC-esque pads, and speed-garagey lo-fi-isms. The B-side gets wackier with it, working in calculator bloops, acid buzz-outs and whispery whoops for an overall cheekier affair than the A.

Review: Chris Stussy is very much one of the contemporary scene's most prominent producers. He has emerged from the Dutch underground to take the global circuit by storm as a DJ but also a studio slickster who fuses tech, minimal, house and breaks. His own label deals in just that and here it offers up a trio of trippy and future facing dance floor delights from Varhat. 'Nobody' is a turbocharged tech cut with freewheeling cosmic melodies and 'Mopho' takes a more deep and breezy approach while 'Breaking Out' (Paolo Rocco remix) is balmy and deft minimal lushness.