Transgressive レコード& CD

Review: Grammy Award winning artist Flume surprised everyone with the shock release of this new album, Things Don't Always Go the Way You Plan, on Transgressive Records. It is a collection of music he has made over the past decade but has never realised in any form so it gives great insight into some of the creative processes and subtle evolutions he has undergone in that time. Injury Reserve, Panda Bear and Isabella Manfredi are some of the featured guests which help to immerse you in a combination of experimental and vocal material with cinematic ambiences, hip-hop leanings, song-driven sounds and plenty more along the way.

Review: Apart from being the quippiest record title you'll see for a while, Flume's third mixtape is up there with the most anticipated electronic releases of the year. The Australian producer and DJ has been on a meteoric global rise over the past couple of years, having started picking up major awards around halfway through the last decade, both in his homeland and overseas - with second album, Skin, winning both an ARIA and Grammy in 2017. Last year's Palaces proved he was still making all the right noises and this was followed by 2023's Arrived Anxious Left Bored. Running at 37-minutes, the mainstage garage-house-step stuff is delivered quick fire, taking us through the sonic world of an artist who has managed to rise to the top of dance music without forgetting the foundation blocks of the entire spectrum.

Review: RECOMMENDED
The re-discovery and re-appraisal of Beverly Glenn-Copeland's work is one of the more surprising outcomes of the pandemic's great pause, which for some people at least meant having more time to dive into the archives of cultural history, from music to literature to movies. Not that the spotlight isn't wholly deserving. As this 1986 album shows, the artist was well ahead of their time, with this strange, heady brew of electronic exoticism, experimental ambient and percussive poetry easy to mistake for a contemporary record.

Glenn-Copeland's own story is also a pretty interesting one. Now 76 years old, the maestro spent years identifying as a lesbian woman, before investigations in gender discourse led to the revelation that a transgender man was a more comfortable identity for the music maker, who also lays claim to a catalogue of kids' TV scores, including Sesame Street and Shiny Time Station.