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16/6(ページ1/1)の商品
Cat: 703641 Rel: 12 Oct 18
 
3HP high fidelity multiple featuring two 1x4 buffered multiples
Notes: CLONE is a 3hp, High fidelity Multiple featuring two 1x4 buffered multiples.

Multiple B is normalized from multiple A to provide 1x8 multiple capability.

CLONE allows for signal multiplication with extremely low degradation and each section is capable of driving an equivalent load impedance of 600 Ohms without distortion and extremely low signal loss.

We use audiophile grade active components to ensure signal integrity and fidelity across the audio and low frequency spectrum, ensuring practically zero loss of your multiplied signals.

In light of modular making its way into polyphonic territory, 1:4 multiples are necessary to accommodate 4 voice polyphonic modular systems.
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 2 in stock $77.62
Cat: 677509 Rel: 12 Oct 18
 
Analogue envelope follower - 6HP
Notes: The Detect-Rx is a versatile envelope follower, voltage controlled comparator (gate extractor) and rectifier providing many useful prescriptions to fill in your modular needs.

Functions:

DETECT-R is the main input and provides an envelope output, rectified output and gate output simultaneously. If a second signal is also patched into the EXTRACT-R, it can be used separately.

The top two controls and switch alter the response of the resultant envelope. Any signal level from LINE (-10dBv) up to modular (+/-5 to +/-10V) may be used.

The FREQ switch selects the spectra in which the envelope will respond to dynamic changes from the input signal.

SMOOTH adds an additional ripple smoothing level control and tracks the FREQ setting

ENV GAIN controls the level of the envelope and is capable of attenuation as well as a lot of gain for low level input signals and even guitars (some pre-gain may be required for certain guitar pickups)

THRU provides a buffered copy of the input signal for easy patching of classic envelope follower applications and more

An LED is provided for visual feedback of the envelope and peak level (clipping) indication.

Some uses for the DETECT-R:

- Create envelopes that follow the input amplitude and frequency spectra
- Slew audio or control voltages
- Create a side chain envelopes for amplitude dynamics

EXTRACT-R is a voltage controlled comparator with three threshold selections; LINE level, 5V and 10V peak for various levels of control and response. The output gate is normalized into the DETECT-R input by default - providing a second method of producing an envelope from a gate rather than dynamic content.

RANGE selects the maximum threshold level of the attenuator.

THR CV is the input for dynamic voltage control of threshold.

THRESHOLD works as the manual adjustment and as a CV attenuator when CV is utilized.

An RGB LED is provided for visual feedback of the threshold range and gate activity.
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 3 in stock $156.31
Cat: 658624 Rel: 18 Aug 17
 
Bass & drum synthesiser voice module - 14HP
Notes: The Entity Bass Drum is a complete and versatile synthesizer voice geared for designing a huge array of bass drum, percussive and synth sounds. Finally, a truly deep tool for creating analog bass drum, bass lines and other percussive effects is here!

The design consists of a high fidelity resonant filter, 2 stage slope generator (rise/fall) with independent slope shaping, a high fidelity VCA and discrete transistor saturation circuitry. Every parameter on the Entity Bass drum is voltage controllable.

By applying a trigger of any length and at least 2V amplitude, we excite the resonant filter to produce a percussive sine wave. The pitch control tunes the output with a range of 8Hz to around 2.2KHz. Both higher and lower levels are achievable using the FM input for modulation etc. The internal filter will track 3-4 octaves reliably and the tracking device is temperature compensated.

The slope generator (ENV) can be switched into the circuit via the 3 way switch below the FM LVL control. This control is a bipolar attenuator which affects the level of the slope generator and/or external modulator that affects the pitch of the output.
The 3 way switch selects FM, FM+ENV or just ENV as a mod source.

The rise/fall envelope is a two stage function generator. The controls provide slope timing from 1ms to about a minute. To the right of these controls is the shaping section where logarithmic, linear and exponential slope shapes are selected independently for the two envelope stages.

The envelope is designed to re-trigger at a set point. This allows for changing dynamics to occur to pitch and amplitude when the slope times are greater than the output transient time. For instance the sound can vary between any number of triggers that fire before the envelope set point is reached. Setting the slope time fast enough (below roughly 1 o'clock) provides for nominal operation. Settings will vary depending on trigger and ring decay timing.

The envelope can also be used exclusively or in a more complex patch via a direct +ENV output. Additionally, a novel DUCK output provides a means to control external VCAs - to work like slow compressors. DUCK is an inverted and positively offset version of the +ENV out. This keeps VCAs open when the envelope is off and effectively 'ducks' the VCA when the envelope fires. Of course, mod sources for these outputs are not limited to VCAs...

BODY is a subtle, yet novel control. This control simulates the tightness of a drum head. All the way tight, we get a softer and somewhat muted sound, to the right we achieve a more flabby sound. The middle region is the sweet spot for a nearly perfect resonant drum. BODY can have a greater effect depending on the other parameters and can be very useful for fine tuning the sound in a mix and designing original drum sounds.

RING controls the resonant decay time. Both short and plucky and an infinite ring are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

Before the output section, we have the discrete transistor saturation. We like this because of the vintage low end distortion from overdriven class-A discrete amplifiers. This one is tuned a bit more aggressively and just a touch is necessary to add some bite. However, you can go over the top and get brutal if you so desire... ;-)
The saturator will overdrive the output stage for more of a hard clipping effect that can be tuned out by adjusting the output level control without sacrificing signal amplitude - its a hot signal by intention.

The OUTPUT section is a parallel signal processor design. The OUTPUT control blends the nominal output with a secondary input (or nothing) depending on the 2 way switch setting below the control and/or whether an external signal is patched into the AMP CV input. In 'AMP' mode, the OUTPUT control works like a volume control. If a signal is active on the AMP CV input, the control will blend between the nominal output and the CV control level. Similarly, in 'ENV' mode we get the same blending action using the internal envelope.

The VCA can also be accessed directly via the A-MIX input. This allows you to use the output section as a standalone VCA (modulated via the envelope or not) or to mix other sounds with the Entity. Feedback patching is a possibility using a stackable or mult to feed the output into the A-MIX input. This produces a juicy distortion effect of a different flavour, you may like it.

The filter can be used independently or in combination with the nominal output via the F-MIX input. This input is used as an aux trigger input that is sensitive to pulse/trigger width. As the effect is less dramatic than the main trigger, dynamic rhythms are achievable using both inputs and creative triggering.
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 3 in stock $303.17
Cat: 658626 Rel: 08 Jan 18
 
Versatile percussion synth voice module
Notes: The Entity Percussion Synthesizer is a complete and versatile voice module, geared for designing a huge array of percussion, bass and lead sounds and well suited for processing external audio sources.

The design consists of a high fidelity resonant band pass filter, two voltage controlled decay envelopes, multi-mode noise generator, a high fidelity VCA and a voltage controlled diode wave multiplier. Every parameter on the Entity Percussion is voltage controllable.

Features and controls:

SOUND SHAPING:

BODY control simulates the tightness of a drum head. From soft and muted to flabby and bass heavy.

PITCH affects the frequency of the resonant filter. The nominal control range is from about 8Hz to 2.2kHz. This range is expanded upon use of internal and external control voltage sources.

HARMONICS increases the number of overtones heard via the main resonant sound source. Subtle to extreme. A substantial function of the Entity PS.

RING controls the resonant decay time, independently from the modulation controls. Both short and plucky and very long rings are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

OUTPUT section controls the resonator volume level and the overall output level when NOISE-FILTER mode in enabled. MIX switch selects processing the internal resonator, external source via the EXT IN jack or a mix of both, greatly enhancing the sound capabilities of the Entity PS.

NOISE generator inspired by the Quantum Rainbow 2, with three select-able noise modes - WHITE, PINK and FILTER. FILTER mode routes the noise into the resonator's signal path - to be processed through the resonant filter, harmonics processor and main VCA.

N-LEVEL independently controls the volume and CV level of the noise VCA.

MODULATION:

Two voltage controllable decay envelopes are provided to modulate the frequency and/or volume of the resonator and noise. DECAY controls the FM/VCA decay time of the resonator, N-DECAY controls the VCA decay time of the noise generator.

DELAY provides voltage controlled delay of the resonator DECAY envelope with respect to the noise (N-DECAY) envelope - a useful feature for creating various snare, clap and snap sounds and layering internal and external sources.

FM LVL is a bipolar attenuator for controlling the frequency modulation depth of the resonator. The switch below selects the internal resonator decay envelope, a mix of the decay envelope and external FM CV source, or the external FM CV source only.

DUCK output jack provides an offset and inverted copy of the resonator DECAY envelope for ducking VCAs and other modulation duties.

Additional Features:

PING! button to demo sounds without a trigger source.

RGB LED for visual feedback of trigger, FM and output waveform

All parameters are voltage controllable.
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 1 in stock $315.76
Cat: 677505 Rel: 12 Oct 18
 
Discrete VCA
Notes: 8 channel, cascading analogue summing mixer with clickless mutes.
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 1 in stock $239.18
Cat: 658628 Rel: 18 Aug 17
 
Analog noise & random source module - 4HP
Notes: This new revision of the Quantum Rainbow features all of your favourites from the original plus two new noise outputs to expand the palate even further.

Known as one of the best voiced noise sources to date, the Quantum Rainbow is a surplus of true randomness. Unlike digital noise which will only ever be pseudo random at best, analog noise is the only real source of natural random fluctuations. This is because analog noise is the actual sound of real electron behaviour, as they break through a semiconductor junction. The QR uses a reverse biased transistor as the source of this amazing phenomenon.

Interesting fact - studies have been performed in order to prove that the power of thought is linked to statistical phenomena via the means of controlling random electron behaviour.

Special attention was paid when voicing the seven colours of noise in order to provide the most pleasing and accurate coloured noise pallet - that only a true analog noise source can deliver.
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 4 in stock $134.27
16/6(ページ1/1)の商品

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