Soundway レコード& CD

Review: Blending reggae, disco, soul, funk and roots - comes the reissue of the highly sought-after 7" from 1979 by Gypsy Fari, the first known reggae outfit from Chicago, born in the south side of the city after a chance meeting between St Kitts expat Leroy Webster and local music graduate Kevin Coleman. The pair set out to blur the boundaries of genre with their unique brand of music, spearheaded by Webster's Caribbean roots and fused with the soul and blues of the midwest.On the A-side, 'Chi-Town Reggae' springs out the gate with fast-paced disco-reggae, powered by a relentless rhythm section and Webster's infectious vocal melody. On the flip, 'Hail Jah' is a swaggering, deep roots reggae cut that pays homage to Webster's heritage - which he wrote on the hilltops of the outskirts of Kingston, Jamaica.

Review: Pigeon only debuted back in 2022 with their well recorded Yagana EP and it soon won the five-piece band plenty of fans. They now serve up something equally as fresh and that develops their sound further. It is still rooted in Afro-disco but with elements of rock, new wave, synth pop, no wave, jazz and electro. Synths and drum machines define the sounds but with plenty of DIY spirit, all of which has won them continued support from tastemakers as diverse and influential as Gilles Peterson, Elton John and Iggy Pop. These are cultured and authentic summer sounds perfect for days dancing in the rays.

Review: The star-studded Sai Galaxy project returns, bringing together West African legends Steve Monite and Rob with multi-instrumentalist Simon Durrington, guitar maestro Alfred Bannerman, and Egypt 80 trumpet player Bade, for a second EP of vital Afro-disco and soul. Following up 2020's 'Get It As You Move' EP, the likes of 'Sometimes It Rains', the homonymous 'Okere', the truth-to-power 'Rich Man, Poor Man', and the live and swinging coda 'Hold Me Tonight' paint a multifaceted picture of a trio, equally as concerned with groove delivery as they are with narrative storytelling. Most emblematic of Sai Galaxy's approach is their inspiration by analog production techniques of similar Afro-soul albums from the 1970s and 80s, adding a modern touch informed by Simon Durrington's Digital Afrika project.