Review: Second time around for David "Move D" Moufang and Benjamin Brunn's first full-length collaboration, a set of unsurprisingly deep, minimalistic house, techno and ambient workouts that first appeared in record stores way back in 2006. It's one of those albums that's arguably best listened to while flat on your back in an intoxicated state, despite the presence of such hypnotic, early morning club workouts as "On The Magic Bus" and the dreamy and delightful "O". You see, the majority of the album's eight tracks are spaced-out in the extreme and all the more alluring for it, as Moufang and Brunn expertly showcase their ability to create impeccable slices of hushed, otherworldly electronic minimalism.
Review: Hamburg deep house cognoscenti Julius Steinhoff and Dione return for their second full length as Smallpeople, following up 2012's much lauded Salty Days and some sporadic EPs on their Smallville and Fuck Reality imprints respectively. "Afterglow" is a solid effort that continues with their fascination of classic U.S. deep house derivatives, all reinterpreted through a vibrant modern lens. From the sunny and dusted down urban blues of opener "Magic Interference", the emotive Chicago influence on late night grooves like "Hearts At Whole" or "All States Of Dawn" (particularly the latter with its irresistible jacked vocals), through to the hypnotic Latin-tinged flavour of "Beyond" or the sublime deep dub of the title track - there's nothing to fault on this fine effort.
Review: Smallville Records/Smallpeople co-founder Julius Steinhoff returns after a great collaboration with Moomin on the Closer imprint last year, a surprising non-electronic album with his band project Tonight Will Be Fine (together with Abdeslam Hammouda) on Japanese label Mule Musiq and some great remixes for Spain's Saft label. The Hamburg native strikes out with some real proper deep stuff here, like on the soulful and emotive acid express of "Along The Coast", or the energetic hi-tech soul workout that is "Moondowner" and finally draws on the bloodlines of classic techno and electro (in a modern context) on the trippy and minimalist "Be Myself". A solid effort from one of Germany's most underrated producers.