Rush Hour Holland レコード& CD

Review: It almost feels like Amsterdam's Rush Hour has been around as long as house music itself. The Dutch powerhouse does it all from new and fresh sounds to classic reissues. For this one, the assured Await 3 brings the party with a selection of hazy and dusty MPC jams with live accompaniment from Jos De Haas of New Cool Collective on percussion and Stefan Schmid from Zuco 103 on keys. The result is a timeless mix of warm-hearted jams, house cuts, broken beats and hazy melodies that are as comfy and frayed around the edges as your favourite jeans.

Review: Helmed by Kid Batchelor and Keith Franklin, Bang The Party were one of the first UK groups to capture the acid house explosion as it found a foothold in the legendary RIP parties and other seminal early spots. Their sound bridges the gap from the prior rare groove warehouse scene and gives it a sweaty Chicago injection, and it's captured brilliantly on this, their breakthrough debut record from 1987. There's a strong soulful edge to 'I Feel Good All Over', while 'Jacques Theme' has a dreamy, surreal tint, and 'Release Your Body' channels a little Motor City flair in its twitchy synth lines and drum programming, but crucially this was one of the first indications of house and techno finding a distinct character across the pond ahead of the wider house culture that would blow up in the years that followed. Truly pioneering music.

Review: Rush Hour have released some killer reissues in their time, and this mini-album from Ben Cenac of Newcleus fame, released under the Dream 2 Science moniker in 1990 is no exception, sounding like a conscious response to the warm, soul-flecked offerings of contemporaries Bobby Konders, the Burrell Brothers and Lamont Booker. Amazingly, Dream 2 Science still sounds remarkably fresh, 22 years on. The production, in particular, is terrific. While many house records of the period sound clumsy and dated, there's a timeless quality to the intricately programmed drum machine rhythms, the drifting chords, warm analogue basslines and cute vibraphone melodies.

Review: Rush Hour has been one of Europe's independent musical powerhouses for decades now. Now only does it have Amsterdam's best record shop, but it throws the best parties and puts put the fresh new records from several different genres. next to that of course they also know how to dig deep and unearth vital reissues, which is what they do here with a triple headed Japanese house affair. Katsuya Sano keeps it OG Chicago with his 'I Need Luv', then Junichi Soma offers the analogue depths of 'Ubnormal Life' and Shuji Wada shuts down with more brilliantly atmospheric sounds on 'Endless Load.'

Review: Cult Japanese video game soundtrack designer and happy house hero Soichi Terada's last album Asakusa Light on Rush Hour gets picked apart from some top remixes here. First to go is a former hip-hop beatsmith turned deep house don Byron The Aquarius. He smooths out the grooves of 'Bamboo Fighter' and layers in dusty chords and diffuse melodies that are heartwarming and hypnotic. 'Takusambient' then gets a fine treatment from Alex Attias who brings bubbly chords and bass to a lively deep house cut that is full of subtle party vibes.

Review: Dutchman Tom Trago has somehow been away from what was once his home label for a full decade now. He makes a welcome return like a long-lost son on new album Deco, a superbly accomplished record that takes its name from a sauna he frequented when he needed to decompress. Eventually, he put his musical career on hold and went to speed time with his young family and so this album was recorded after a long time away from club dance floors. It is delightfully whimsical with airy melodies, curious chords and majestic synth craft all drifting over barely-there rhythms. It's an album that provided musical therapy for Trago, and now us.