Public Possession Germany レコード& CD

Review: You can always count on Public Possession to put out quirky, ear-catching gear for switched on dancefloors. On this occasion they've tapped up Wolfram and Josh Ludlow for this tongue-in-cheek acidic stomper which is roundly defined by the robotic narrator demanding we go back and forth to the club ad infinitum. It's cheeky and a tonne of fun, with a deadly 707-toting beat to back it up, presented in snappy edited form on the A-side and stretched out in extended form on the flip. If you want to get the party popping off with a glint in your eye, this is just the record you need.

Review: Shame On Dry Land (Syndabocken) is an award-winning Swedish movie that picked up the Guldbagge prize for best feature film soundtrack in 2024. That soundtrack has been written and produced by sometime Studio Barnhus associate and mythical young artist Baba Stiltz. It arrives on vinyl for the first time here and is a dense affair with plenty of esoteric stylings as you would expect of a man with a famously hard-to-pin-down sound. It goes from heavy and dark to airy and Mediterranean and needs to be heard nice and loud for the best effect.

Review: Aussie outback dwelling sculptor/producer DJ Chrysalis now delivers his debut EP proper for Public Possession, after appearing on their Chill Pill series. Strong spiritual vibes and ancient cosmic visions aplenty across five tracks on What Came First & Why Does It Matter. Whether it's the dusty acid trip of 'Melodie', the mesmerising title track which levitates into beatless downtempo territory, to the off-kilter deep house of 'Spag East' and the emotive atmosphere of closing track 'Algi' that's perfect for those heads-down moments on the dancefloor.

Review: Venetian self-described "avant garde conservative" Simone De Kunovich is back to quickly follow up his last outing in March with a new electro EP on Public Possession. He also ended last year on a high with the final part of his Mondo Nuovo series and seems to be in full creative flow again here. 'Flow My Tears' is an old school throwback with sugary 80s synths sounds and lush cosmic arps, then 'Super Mana Drain' local into a chugging Italo disco vibe that will get hands in the air as it travels to the stars. 'Warp World' is a more heavy thumper but still one defined by its bright and colourful synth work.

Review: DDWY appeared on Public Possession label earlier in the year when they put out their Chill Pill compilation and their contribution was the perfectly balearic dance gem 'Orchard'. Now the pair is back with a limited edition album, Sprig Songs. It lays out their distinctive take on dance music which is dubbed out and trippy, often slow paced, doused in proggy melodies and all flavoured with unique Nangis chants. The spell binding selection includes the warped rhythms and FX of 'Green Villa' and otherworldly depths of 'Do Deers Dream?' while 'Hair Spiders' is a more dancefloor ready and dubbed out beatdown.

Review: Munich's Public Possession label returns with an lovely EP by new London-based outfit Birthday. The pop duo was founded in 2016 by RIP Swirl & Fake Laugh. Having had some great feedback on their first releases, they took a break to focus on their solo projects and other endeavours in and around the music industry, but make their comeback on Powerhouse. With the sweet as candy ditties like "Slug", to hazy and vaporised drifters like 'Locally Lost' or moments of sublime weirdo humour as heard on 'Chocolate For Breakfast' this could well be the most awesome comedown album of 2020.