Ornate Music レコード& CD

Review: The All City Harmony Show rolls into Ornate towers with the A MasDelux Session EP. Kicking proceedings off "I See" is endowed with the kind of boompty bass that immediately brings to mind Julio Bashmore, complemented by gently cooing vocals and synths that drop in and out of the mix sweetly. The mid section breakdown is divine! Moodymanc takes a good long hard look in the mirror with his Deep Reflection mix of "I See", stripping back the original to create a genuine late night burner - exactly the kind of quality we've come to expect from this producer. This shares the flips side with another original ACHS cut, namely "Extra Funk", which shapes a broken beat around some killer boogie bass and cleverly arranged funk samples.

Review: Some classic stuff here from German/American duo Chubby Dubz, who've created a rich collection of three indispensable new tunes for Ornate Music. As with all the songs, a deeper-than-Barry White vocal floats over the top, gently narrating while the deep house grooves develop beautifully. The arrangements are pitch perfect, with sounds never over complicated or over used, while the warm drums keep the rhythm locked. While the Chubs are obviously aware of their house history, songs like "Turn Around" still sound contemporary. Definitely one for fans of Motor City Drum Ensemble - highly recommended

Review: Harvey Jones is on a roll this year, landing releases on Ranges and Echocord and promptly following them up with this refined joint for Ornate Music. He's got a full bodied take on tech house that favours deep, meditative moods but expresses them through bold, richly rendered synth lines and crisp but warm drums. 'New Speak' has a taut house groove powering it, but the mellifluous ebb and flow of the chord line keeps things soft and sensual, while 'Old Speak' plumbs into a dub techno irrigation system without shirking it's responsibilities to the dancefloor. Nail's remix of 'New Speak' amps up the bump, hitting that sweet spot where chunky house music can still cool you down.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


Harvey Jones is on a roll this year, landing releases on Ranges and Echocord and promptly following them up with this refined joint for Ornate Music. He's got a full bodied take on tech house that favours deep, meditative moods but expresses them through bold, richly rendered synth lines and crisp but warm drums. 'New Speak' has a taut house groove powering it, but the mellifluous ebb and flow of the chord line keeps things soft and sensual, while 'Old Speak' plumbs into a dub techno irrigation system without shirking it's responsibilities to the dancefloor. Nail's remix of 'New Speak' amps up the bump, hitting that sweet spot where chunky house music can still cool you down.

Review: It's early days for Jakob Panthel and his Faune alias, but he more than steps up to the plate as London label Ornate Music invite him to present his vision for immersive, techno tinged deep house. "5.34 AM" is aptly named, the undulating chord pulse at the heart of the track aiming for the woozy hour of the dance before dawn breaks through. "Reduit" is a more sprightly affair, using similar ingredients but pushing a brighter line in synths amidst the raw drums. "Grindewald" meanwhile heads out into more ambient techno territory with its plush pads and snaking arpeggios, soothing the feisty club-ready energy of the previous two tracks.

Review: Deep house label Ornate rounds off a fine year with a 12 inch from esteemed Irish production duo Fish Go Deep aka Greg Dowling and Shane Johnson. "Deep, Like" kicks off the A Side, with the result bring to mind what would happen if Jean Michel Jarre rolled a spliff and started making deep house, while the synth work on "Model One" will please anyone who indulged in the recent Recloose retrospective on Rush Hour. "Dub Model", meanwhile, is drenched in positively luscious Detroit chords and shares the B Side with Dylan Debutt's emotive 'red light' remix of the EP's eponymous track.

Review: Nail has been busy in lockdown with a few releases now surfacing in early 2021. The former DIY Discs and Classic man knows exactly how to craft infectious house tunes with high pressure vibes and mind melting synths. He does that here from the off on Ornate music. '313151' is bleepy techno that never lets up while '44151' has drunken synth sounds tumbling over one another and making you move in weird ways. '313154' is a class closer with undulating acid taking you deep down a rabbit hole with no way back.

Review: It's out of the shadows and into the light with the next release on Ornate music. At the reins is OCH, a name you might not have heard in a while, but whose solid and reliable CV names Sect, All Inn, Baby Ford's Trelik and PalL SL among his label references. In all honesty, it's like he never went away. We get three cuts of precision deepness. Lean, rather than minimal, these are fat-free, perfectly balanced excursions into the ethereal edges of house. Tight claps, subtle, eerie vocal samples that drift in and out of the mix, the mood is uplifting without any need for euphoric histrionics. This is refined music that won't sound out of place on the floor at CDV or Sunwaves, whenever we can return to the dancefloor. Or, in the meantime, kicking back at home when the sun unexpectedly brightens the winter mood. if you ever wanted to know what a beautiful day sounds like, now you know.

Review: Miles Sagnia, who already has a release on Keith Worthy's esteemed Aesthetic Audio label under his belt, continues to explore the more melodic end of deep house on the Astrobiological Funk EP for Ornate Music. Acid squiggles underpin pleasant piano stabs and vocal snatches on "Interplanetary Visitors", a track steeped in oven warm Detroitisms. Flip over for "Bounce Theory" which got Juno pulses races thanks to its deeply submerged sensual vocal groans and beefy drums, while "Twilight" closes out a fine 12" with a gentle shuffling rhythm.