Nonesuch レコード& CD

Review: The Black Keys are back with more of that raw, bluesy-soaked rawk they do so well. The duo of Dan Auerbach and Patrick Carney wrote this new album in the studio, laying down initial ideas in Nashville before expanding the sessions to include collaborators such as Billy F. Gibbons, Greg Cartwright and Angelo Petraglia. Everything you love about the 'Keys is right here, and lead single 'Wild Child' has all the hooks and ear-snagging chorus lines you could wish for, with that dirty, overdriven guitar sound that has been their calling card since they first broke through 20 years ago.

Review: LA-based composer, producer, and multi-instrumentalist Sam Gendel's COOKUP is a new album of old material, kind of. It finds him laying down all new interpretations of r&b and soul hits that were first released between 1992 and 2004. It comes on Nonesuch Records and is another showcase of just why Gendel is at the heart of his native scene in Los Angeles. Across 12 glorious tunes his friends and collaborators Gabe Noel and Philippe Melanson help him rework material by greats like Beyonce, Genuwine, Erykah Badu, Soul II Soul and Boyz II Men. A fine collection.

Review: The 2002 film The Hours starred hefty Hollywood talents Nicole Kidman, Meryl Streep and Julianne Moore, and the original score was composed by no lesser titan of his industry than Philip Glass. It is a masterful work from the legendary minimal composer and is here presented across four sides of vinyl by the Nonesuch label. It has plenty of thick, lush strings and lots of tonal suspension with cool piano parts, plenty of heavily pregnant silences and cascading scales that all add plenty to the film itself as well as being a great standalone listen.

Review: Wilco's first studio album in three years, "Sky Blue Sky" has been perhaps the most ardently awaited release of 2007. Eager fans had taken to shouting out pleas for information to bandleader Jeff Tweedy during his recent solo acoustic tour, and the web chatter has been virtually deafening. On "Sky Blue Sky" Tweedy's lyrics deal forthrightly with romantic separation and reconciliation, their bittersweet quality giving way, as the album progresses, to a more uplifting, redemptive mood. Tweedy quite literally banishes the darkness on the penultimate track, the inspiring, gospel-tinged "What Light".