Review: We were very excited indeed to see the third release from the quite promising Love Notes from Brooklyn imprint! Marco Zenin was a featured artist on the last release under his DJ Octopus guise, and this time he's featured again with his other project, the more techy/ more minimal Die Roh, who recently had an underground athem with their release on Black Venison. The duo here seemingly lean their sounds in the direction of the label's and offer two-cut EP which is their deepest effort yet to date. Surely more DJs will play the dancier A side, Behind 6000, but for us, the groovier B side and title track Genghis Kahn is the choice cut. Label owner, Nathaniel Jay, continues in the precendent he's set with each release having its own unique "Love Note", authored by him, making every one of these records collectable.
Intellect's Intuitive Waste (Garrett David remix) (6:47)
Intellect's Intuitive Waste (6:15)
Limited Trance (4:14)
Review: Love Notes turns its affections towards the Windy City with this exemplary 12" from Chicago producer Shmoo, who is no slouch in the energy department when rolling out the pumped up deep house delights of "Sidehacker". "Intellect's Intuitive Waste" is no slouch either, taking a brighter sunshine approach compared to "Sidehacker"s nocturnal veneer, and "Limited Trance" keeps the jack up while letting the additional tones and textures take things deeper. Garrett David gets busy with "Intellect's Intuitive Waste", creating a crafty remix steeped in intriguing percussion without losing that housey focus that defines the Love Notes approach.
Review: Nick Anthony Simoncino is the perfect choice to add to the ever-expanding Love Notes narrative. His classically rooted, passionate approach to hardware house music chimes with previous 'Noters like Octo Octa and Casey Tucker, and the quality is as high on this 12" as one of his many appearances on Creme Organization or Vibraphone, to name but a few. "Perugia 1989" is quintessential Simoncino - simple in its construction but beautifully engineered with all emphasis on an undulating bassline. "Bella Ciao" is a more tense cut that uses some nervy synth phrases to eke out a trance-indebted mood, and then "My Brother, Dani" maintains the theme with a dramatic use of space and jittery percussion.
Review: Casey Tucker is on a roll at the moment, and his infectious brand of uplifting, full-fat machine soul seems to have struck a chord in many places (not least via his reissues on For Those That Knoe). After appearing on Love Notes back in 2015, Tucker's back on the label with another salvo of colourful, charming and utterly magnificent house jams shot through with the inventive programming of techno. "Alternative Faction" is many things - a bubbly acid track, a swooning deep house cut and a sassy broken beat affair - and yet feels utterly smooth in its execution. "That Time Of Year" has plenty of Motor City soul feeding into its composition, not least in the gorgeous synth strings, and "New Mission" gets busy in the swing with all kinds of bouncing melodies and rhythms.
Review: Following choice wares from tape_hiss and Pascal Viscardi, Love Notes stride into winter with a fulsome offering from lesser-known artist Subtenant, who packs just the right balance of classic acid and modernist techno into the three original tracks on this 12". "Evergreen Soul" looks set to turn heads in the club with its playful organ flex hopping around the punchy 303 notes, while "Artisanal Acid" brings some homespun hardware handiwork to the table. "Know How It Feels" drops in at a slower tempo, but it's D'Marc Cantu who steals the show with a dynamic remix of the title track loaded with detail and shot through with dub.
Review: The latest Love Notes welcomes Perseus Traxx to the fold with just the kind of romantic, classically informed hardware jam action that the label so dearly loves. "Fears Of Simplicity" kicks off on a celestial tip that reaches skyward with its plush layers of electronic melodics, while "Exhilaration Of The New" sports a distinctly Mr. Fingers-flavoured vibe that's impossible to dislike. "Half Heard Whispers" is a lighter jam that floats along on an airy bed of pads, and then "In Our Dreams" takes the prize as the prime cut on the record, digging deep to depict a more mysterious version of the old-skool house music we know and love.