Light In The Attic Us レコード& CD

Review: Karen Dalton is one of the most mysterious and enigmatic but also influential artists of her time. Her 1971 album In My Own Time is a real masterpiece that Light In The Attic now presented on newly mastered vinyl. It was originally recorded over a six month time frame at Bearsville and was crafted by producer and musician Harvey Brooks, a key figure in rock-jazz having worked on Dylan's Highway 61 Revisited and Miles' Bitches Brew. It's a wild and vivid record with walking basslines and manic melodies topped off with the expressive vocals.

Review: It's the album that catapulted 'These Boots Are Made For Walkin'' to fame. Nancy Sinatra's debut album, Boots, was originally released in 1966 to worldwide acclaim. The new reissue comes in limited red and white editions, and includes two bonus tracks recorded during the album sessions, the non-album b-side "The City Never Sleeps At Night" and the previously unreleased "For Some."

Review: Seattle label Light In The Attic Records is proud to present a reissue of material from Nancy Sinatra's most prolific period between 1965-1976, with 23 tracks including her revered collaborations with Lee Hazlewood. Sinatra's performance of 'These Boots Are Made for Walkin'' became her signature tune. The pair began a three year run of successful recordings, with 'Sugar Town,' 'Some Velvet Morning,', 'Summer Wine' as well as the James Bond theme 'You Only Live Twice' being just a few. She also worked with songwriter Mac Davis, producer Lenny Waronker and arranger/producer Billy Strange on the album.

Review: Stone Flower was a little-known, short-lived record label licensed exclusively to Sly Stone himself. It produced but four singles in the period 1970-74, and beyond that, saw to a short run of LPs from the likes of Gladys Knight, Herbie Mann and Eddie Jefferson. However, thanks to a series of retakes and bonus material, LITA were able to reproduce this compilation; a compendium of all the best music the label had to offer, with choice bits from Joe Hicks, Sly, Little Sister and 6ix in tow.

Review: Now that's what we call an album title 2021. As the name implies, we're skirting the edges of 1980s Japanese pop, opting to explore the strange, sci-fi hued, traditionally rooted noises that weren't necessarily dominant in the Far East country at that time, but certainly found favour with more explorative listeners. And it's not hard to hear why.

Tracks like 'Days Man' by Yoshio Ojima could work well in a slo-mo house or electronica set today. While preceding effort 'Hikari No Ito Kin No Ito' from Mishio Ogawa is like a strangely innocent hybrid of lullaby and pop song. Elsewhere, the twinkling synths and wet snare hits of Naomi Asai's 'Yakan Hikou' further accentuate the surrealism running through so much of what is here. One for the trophy cabinet, collectors take note (and form a queue).

Review: The Microcosm: Visionary Music Of Continental Europe, 1970-1986 presents works from 'cosmically-taped' artists; legends like Vangelis, Ash Ra Tempel, and Popol Vuh through to more obscure names in the form of Bernard Xolotl, Robert Julian Horky and Enno Velthuys. According to Washington State label Light In The Attic, the compilation aspires to present these these works of "ambient, new age, neuzeit, prog, krautrock, cosmic, holistic stuff, whatever one calls it - as a pulsating movement unto itself", and they've done a fine job of that when you hear how well curated this album really is. From major label recordings through to limited obscure cassette editions, it unearths some truly captivating and oddly inspiring gems from beatless electronic music's recent past.