Kalita レコード& CD

Review: Kalita Records are proud and honoured to announce the first ever official reissue of the four choice tracks from Randolph Baker's privately pressed sought-after 1982 disco album 'Reaching For The Stars', plus an unreleased instrumental take of 'Party Life' sourced from the original 24-track analogue master tapes.

Originally recorded at Jim Morris and Rick Miller's Tampa-based Morrisound Studios, 'Getting Next To You' features both a mixture of both local Florida talent plus jazz superstar Nat Adderley and bassist John Lamb at their finest. Originally pressed in a limited run of just one-thousand copies, with no distribution and most copies being sold in the local city and on Randolph's own merchandise table at the back of live gigs, original copies have long been sought-after by both collectors and DJs alike, acknowledged as a true grail and masterpiece in the disco scene and deservedly demanding extortionate figures to those lucky enough to find their own.

Here, in collaboration with Randolph, Kalita Records have chosen to re-release the four choice tracks from the album: 'Getting Next To You', 'Jazzman', 'Callin' Me' and 'Party Life'. The former is an in-demand horn and chant-filled disco masterpiece, which, as Randolph explains, concerns unity and "everyone on the same level in other words, everyone just loving life". It is arguably the song that Randolph is most well-known for in the disco and funk scene and perfect for the modern discerning dance floor. 'Jazzman' is an instrumental track with prominent trumpet and saxophone solos working with funky basslines to produce a truly great jazz-funk groove. It was "a tribute to Nat Adderley and Duke Ellington's bass player, John Lamb, for being so generous and saying yes to the project". 'Callin' Me' is a soulful disco number featuring the lead vocals of Laurie Erickson and is "about being on the road and ensuring loved ones that you will always come back home no matter what. It was like a promise to ensure loved ones they didn't have to worry". Lastly, 'Party Life' is a joyous disco track with a strong funk bassline and horns. As Randolph recalls, it "was the joy like after an actor finishes a movie. There was nothing but joy. It's finished; let's celebrate big time. Where everyone in the studio yelled at the top of their lungs - The End!" Here, with access to the 24-track master tapes we have been able to include the original version plus an unreleased instrumental take, allowing us to focus on the infectious bassline and make it even more ready for the modern dance floor.

Accompanied by extensive interview-based liner notes and never-before-seen photos.

Review: The IgG Band was a student medical group from the 80s. They served up superb prescriptions of funk, soul and disco put out a highly sought after record Ultra/Sound that has become a real holy grail for lovers of this sound. It has more than stood the test of time since it was put out privately on band member Clifford Becker's Infusion Records imprint. Their original MO was only to play music to please themselves but by now it has pleased thousands of us. Standouts include the sombre lament of 'Another Love Gone' and upbeat dance floor sounds of 'Funky Music.'

Review: Kalita's Borga Revolution compilations are pure joy, tapping into the boom in electronic music in Ghana in the 80s and 90s. The first volume came out last year and carried work from the likes of Thomas Frempong and George Darko. On this second instalment we get a whole host of new names to bring us more of that West African heat, and the hits just keep spilling out. Check the urgent stomp of 'Soca For Your Pleasure' by Alan Cosmos & His Bam-Baara Soundz, or the rugged soul and deadly grooves bursting out of Pope Flyne Ackah's 'I Think You Are Right (Jepense Que Tu A Raison)'. If you were into the first edition, this is only going to bring you more delights from an overlooked corner of Africa's musical history.