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Review: The KVB's forthcoming album Tremors, marks a significant return for the coldwave duo. Described as 'dystopian pop,' the album promises a fusion of industrial-tainted synths with post-punk percussive patterns, capturing the warped energy of their live performances. Lead single 'Labyrinths' offers a visceral experience, with sloping bass-lines and imposing production delivering unbridled aggression reminiscent of the band's early releases. The album represents a culmination of the duo's evolution, blending emotive impact and pop hooks within a uniquely shadowy atmosphere. As pioneers in atmosphere mastery. A cinematic journey through themes of loss, resistance and inevitable change, making it their most complete album to date.

Review: TVAM first crept onto the radar in 2018 with a self-released debut which split the difference between Suicide and Boards of Canada, but since then his sound has broadened to incorporate a shred of pop nous and anthemic grandeur best captured on new single 'Costasol'. If that track has a deceptively gentle, dreamy demeanour, there's plenty more space for murkiness and claustrophobia elsewhere on the EP, as the one-man-band indulges his industrial and lounge tendencies in strange, compelling new mutant forms. 'Ephemerol' in particular stands out as the perfect misfit foil to the lead track's poised bombast, fuelling the dualistic intrigue of an artist who never misses.