Review: Munich-based mystery man, Skee Mask, remains at the top of our Ilian Tape favourites. While we love the work of brothers Dario and Marco Zenker, the two label founders, we think that this guy's sound is the creme de la creme of contemporary, dub-filtered techno. Serum and Junt were both absolute killer EPs, and the Shred album was also on our list of the best releases of 2016, so we're pretty psyched about this new single, the curiously named 2012. The opening "Kordman Return (Swing mix)" is Skee Mask up to his naughty break sampling and techno wizardry, all broken and loose, whereas "Palo Alto" sees the producer in a surprisingly sturdy, head-first mood driven by solid bursts of 4/4 and wondrous synths. Over on the B-side, "Fjorward Flex Dub" swings its mighty swarms of drums over a minimal flurry of melodies, in what feels like a sublime reinterpretation of heavy, 90s power-house; "Glass Museum" closes with a real twist thanks to an abstract, wide-eyed landscape of dissolving, jazzed-out percussion and moody ambience. Excellent material, as per usual.