Galaxy Sound Co US レコード& CD

Review: Black Cash & Theo edits! Galaxy Sound CO crew back at it!!

Review: Galaxy Sound Co takes a surprising turn from the edit game to drop another pair of sure shots by Michigan skateboarder, cyclist, sneaker-head and bedroom b boy beat maker Strictly Butters, making his second appearance on the label. Main offering 'P.B.S.' offers up rolling piano and warpy keyboards with a hazy, nostalgic feel over a tight drum break. On the flip we get 'Turn It Up', which bounces effortlessly, teased along by a sweet soul guitar riff. Take your pick, they're both corkers.

Review: If you like hip hop and broken beats and top-class edits you will already be fans of Black Cash & Theo AKA Thelonious Beats. They have got a bottomless discography full of it and mostly on their own Galaxy Sound Co label. Here comes another addition to the cannon in the form of a pair of glorious jazz-funk nuggets, starting with 'Footin' It' by George Benson from his fifth studio LP back in 1968. On the flip is a 1973 cut from pianist Les McCann. 'The Harlem Buck Strut' was from a groundbreaking jazz-synth album and you can tell why here with its forward-looking sounds and designs still sounding ahead of its time.

Review: Galaxy Sound Co is well known for its super 45 edit series but has also recently turned plenty of heads with their instrumental hip-hop interludes - and that's just what we have here. Up first is 'Loud & Clear', a brilliant boom-bap gem with a sweet soulful piano riff, great work from the classic MC and nice dusty beats. 'NORE' (Buttas remix) noise sup raw beats and squealing piano lines with lively bars that are a snippet from Noreaga's 'SuperThug'. Last of all is 'Cherry Blossoms (Love Notes Mix)' which is a perfect late 90s hip-hop joint that has a sample from 1969's 'Maybe So Maybe No' by the New Holidays, This is a summer gem to keep the long sunny day vibes alive as autumn arrives.

Review: The Galaxy Sound Co's latest 7" kicks off with a remastered edit of 'Passion Play' by The Sugarhill Gang. It's a tune that was originally on their self-titled 1980 album and comes with background vocals from the superb funk and soul band Positive Force. Somehow the tune didn't make the charts at the time though it has been heavily referenced and sampled since, including by the likes of Kerri Chandler. The B-side is 'Who Is She (And What Is She to You)', a soul-jazz cover of a Bill Withers classic taken from Madelaine's only album, Who Is She, in 1978. It has a serious Chicago pedigree and great arrangements from Johnny Pate.

Review: Galaxy Sound Co. hits 40 releases deep with yet another buy-on-sight 7". This latest entry into the Sample Series kicks off with an edit of 'Lovely Is Today' by Eddie Harris from his 1968 album Plug Me In. It's steeped in delightfully conversational saxophone with rousing chords dancing beneath in a swinging 60s fashion. A real classy gem. On the flip, 'September 13' by Deodato gets reworked and is from his self-titled jazz-funk album. This one is more funky and it's led by some big, proud horn stabs and silky drum rumbles enriched with great synths. Another vital 45 from this fine label.

Review: Son of Todd Osborn (Soundmurderer/Ghostly) Kaito Ian makes a hugely impressing first outing on the Galaxy Sound Co label with a series of lo-fi hip-hop beat-strumentals that cannot fail to get your head nodding. He is a dedicated music lover and skater with a deep knowledge of his craft and that shows here with some refined sounds starting with the soul drenched 'Revert', then on to the warped angelic vocal samples of 'Sequoia' and the percussive jumbled and scratching of 'Trek'. 'Wait Up' is another excellently blissed out joint and 'Sloan' is a sunny, laid back, lazy vibe to close down a superb EP.