Faitiche Germany レコード& CD

Review: .Rhetorical Islands was originally pieced together from Giuseppe Ielasi's work for l'Audible Festival in Paris. An event dedicated to pushing forward thinking, mind-expanding, experimental and just plain strange sounds, his efforts certainly fit in with all of those terms. Presented here as ten standalone tracks, all without name and many without the usual elements we expect from a 'track', this first vinyl pressing of the work is really an extension of the original idea, rather than a time capsule of it. "Isolated sound worlds" is the phrase Ielasi used to describe what's happening here, and it's certainly true that the individual parts stand alone and can each be heard as autonomous. But together they also make a strange kind of sense, complementing, almost feeding into each other, even at the most stark juxtaposition. Ultimately, then, it's about interpretation, making what we choose from the ingredients.

Review: These days, we're all familiar with Jan Jelinek's trademark brand of dusty, dubbed-out, jazz-sampling downtempo explorations. That wasn't the case when Loop Finding Jazz Records, his acclaimed debut album, first appeared back in 2001. It has since become an in-demand item, making this reissue more than handy. It remains a fine album; a blazed shuffle through a sonic world where dub techno, ambient, minimal house, jazz and downtempo grooves and seductive vinyl crackle merge into one intoxicating hybrid sound. It's not showy and over-the-top, but rather becalmed and subtly seductive. In other words, it's still a brilliant album and if you don't own already own a copy, you should add this to your cart sharpish.

Review: Jan Jelinek is never one to present music without an idea behind it. On SEASCAPE - polyptych, he collaborated with Canadian visual artist Clive Holden to create an audio-visual software which, on the surface, feels like the disorientation of being immersed in or moved about by a sizeable body of water. It's subtle and shimmering, threaded with the cosy hum and micro sonic style which Jelinek has made his own, but it of course develops a new resonance when you learn all the sound has been triggered by converting ranting speeches from Captain Ahab in John Huston's 1956 adaptation of Moby Dick. Just very occasionally actual speech noises sneak through, but primarily this is a fragmented, subliminal experience which will satisfy the expectations of Jelinek's fanbase - and indeed anyone who appreciates elegant, minimalist experimentation.

Review: Jonathan Scherk's new album Toon! explores 12 different and equally complex sound worlds, all with the same brief - that no piece must be more than two minutes long. It makes for an album that moves quickly from one mystery world and eerie mood to the next as the worlds of pluderphonics and sampledelica merge. It is an intriguing listen with smeared synths, lo-fi drones and barely there vocal sounds all coming and going like clouds passing by an airplane window. You'd be hard pushed to hear a more adventurous album than this one this week.