Review: Emotional Rescue completes the reissues of International Noise Orchestra with a final 6 track EP celebrating this true multi cultural project that takes elements of Afro, Balearic, Dub, Indian, Jazz, Soul and a touch of Pop in a global fusion.
The switch between pop and heavy drum jamming is showcased on opener, as the band take Lennon & McCartney's Come Together and create a club meets Arabic mix. Pre-dating the post-Acid House "World Dance" years, Richard Strange returns with his unique delivery over a percussion meets rock guitar love in.
Returning to the band's earlier Internationales Gerauschorchester incarnation, the soft piano opening of Vit Quai Non from their 1983 debut, gives way to Wolgang's climbing solo acoustics alongside Joel Allouche's masterful tabla.
Savage Progress's Glynnis Thomas returns with her distinctive vocals over one-drop drumming for the encompassing title track, Marching In Time, before returning to their debut and the overlapping drum solos of Bum Bum Krach.
To close, the band revisit their signature shuffle, a now languid Groovin Up Slowly is delivered as some leftfield Japanese Gagaku solo. All Will Be Changed sees Richard Strange close with a fitting mantra to this 80s MIDI pop meets avant-garde artistry finale. Listen!!"
Review: Here's a record perfectly suited to the Emotional Rescue sphere. International Noise Orchestra was born out of a collaboration between Berliner Ulrich Homberg and Algerian drummer Jol Allouche, first embarked on in the 1980s when they sought to combine 'new technology with old'. The results are wonderfully vibrant, evocative of the era but also packed with open-ended experimentation that sounds fresh more than 30 years later. There's a push and pull between the collaborating parties, but the frisson between cultures and methods is where this record gets its unique groove from, all delivered with a slick 80s cool it's hard to resist.
Review: Emotional Rescue presents the 2nd EP (of 4) highlighting the music of International Noise Orchestra. Centered around Ulrich Hornberg and Wolfgang Sperner, aka producers Gemini Brothers, this world "supergroup" released 5 LPs and 2 EPs in just 4 years.
Again showcasing their rhythm, calm and power, a metaphysical, real sensitivity and intellectualism, all wrapped around the groove. Starting with their own instrumental remix of Gimme Move Lovin', this little known 12" B side has long been a play for "heads" and allows the band's Pop Balearic, esoteric meets electronics to shine, layering Fairlight samples over a funky bass 4/4 around some '88 Amnesia pool dive.
Next the anthem, Yeh Naina Yaad Hai, as Asha Bhosle's beautiful vocals from the Manzil Manzil soundtrack, are mixed with drum machines to create a dream Bollywood meeting.
Again side two features 3 songs and starts like EP 1 with Glynnis Thomas (Savage Progress) vocals, now atop a sax laden Synth Pop brain, mind and body dance. Alias, Internationales Gerauschorchester offer wonderful jazz leanings for A Lulu A Bobe Danz, where the "bop" takes a leftfield embrace. To close then, Mr Richard Strange returns, invoking The Driving Force, returning to the idiosyncratic, percussive Earthbeat. Listen!
Review: The 3rd part (of 4) collating the music of International Noise Orchestra, Marching In Time 3 again highlights the breath of music this mainly studio project presented between 1987 and 1991.
Starting with The Atlantic Swimmer, Richard Strange leads with his ubiquitous punk poet delivery across pure late 80s Balearics. Out on his own, sport or ambition, all atop strident guitar, one drop; funk drum and bass interplay.
The global music anthem Far Away is the first of 3 tracks by alias Internationales Gerauschorchester. Flowing like street soul remixes of Nusrat Fateh Ali Khan, as Rama Mani's vocals envelop and rise above the syncopation meets world love.
On the flip, the band shows their rock roots of Gimme More Lovin'. The vocal sees Strange in tandem with founders the Gemini Brothers behind the desk, as Ulrich on keys and Wolfgang on guitar let it all swing.
Finally, when you have a floating ensemble featuring master percussionists from the Indian sub-continent in Ramesh Shotham, R. A. Rajagopal, T. A. S. Man and T. N. Shashikumar then I Speak Your Body Electric with it's hazy, cosmic mid-tempo lure and the closing instrumental of eastern melodics of Veena Via Video, all ends in perfection.