Eastenderz レコード& CD

Review: They don't come much more on point and useful for tech house fans than East End Dubs's Eastenderz. It is now well into its second half century of releases and Ben Eau is the man charged with serving up the sounds on this purple and silver splattered vinyl. 'Won't Stop' opens up and is an in form tech roller with dry hits and the sort of tightly programmed beats that dancers latch onto for days. On the flip and as the title suggests, 'Drop The Bass' has some playful bass teases and a more weighty low end while 'I Luv It' completes a trio of top tunes, all with their own character and charms.

Review: Rich NXT is one of the super reliable contemporary house producers who serve up functional records with a twist. Here comes another such trio on the popular Eastenderz label. 'Everon' pairs acidic bass and bobbling grooves with a heady sax line that drifts up top to add the all important special ingredient. 'Izbraz' is a much darker tune - a collision of dusty jungle breaks, haunting chords and warped vocals that is brilliantly dense and unusual. Lastly, 'Radian' slips into a freak 4am minimal vibe with a hiccupping hook and crispy 90s tech house beats.

Review: Argentinian producer Rigzz is next up on the Eastenderz label with more those stylishly striped back and dubbed out tech house sounds. This impressive four tracker opens with the heavy bump of 'Fision' which is underpinned with gritty kicks. 'Cenit' layers up more rock solid drums with lively and loose synths to compiling effect. The tightly woven rhythms continue though 'Space3' which has modulated synths stitched into the arrangement for some cosmic vibes and 'Signals On Me' closes out with a fourth and final heavyweight rhythm that will appeal to both DJs and dancers

Review: UK tech house hero Seb Zito returns to Eastenderz with a killer four tracker. The Fuse London and Seven Dials stalwart kicks off ENDZ 051 with the bleeped-out boompty groove of 'Bounce' on side A that's aimed squarely at the main room dancefloor pre-peak time, while over on the flip he's got the afterparty strictly in mind on the bass-driven back room dub of 'A Rhythm', followed by more Sunday morning tackle in the form of hypnotic minimal house cut 'You Can Dream It'.