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Review: Kings of new school drum & bass Chase & Status made another triumphant return with 2 Ruff Viol 1, which is jam packed with fresh new wave jungle anthems for those who like it energetic. The chart topping duo knows a thing or two about crafting big bangers and massive anthems and that's what they do here as they follow up their last album What Came Before with more massive moments. Plenty of guests help them along the way here such as IRah & Flowdan & Trigga & Takura on the massive 'Baddadan' and Avo & Horrid1 on 'On The Block', a collar with Mosey which is also devastatingly large.

Review: Chase & Status ride a new wave with their sixth album, honouring their long-held time in the limelight as two of the UK's most powerful bangercrafting hitmakers. While still managing to nod to times past, this limited new LP also works in brand new UK sounds - drill MCs Unknown T and Backroad Gee, for example, make standout appearance on the tracks 'Run Up' and 'When It Rains', while still retaining elements of creativity that are endemic to Chase & Status only. Meanwhile, UK dancehall maintains its strong standing, with Popcaan and IRAH featuring regularly throughout.

Review: Hey boys, hey girls... Chemical Brothers are back with some superstar business and all is well with the world. Instantly slipping into their signature, 'No Reason' smacks with everything we love about Tom and Ed. Big funk bassline, cheeky party samples and a presence that could get everyone from your nan to your naughty next door neighbour dancing. 'All Of A Sudden' takes us up a few gears in a way that only the Chemmys can; unrelenting laser bass marching music that pushes and pushes and pushes to the very end. Here we go!

Review: Neneh Cherry's upcoming remix album 'The Versions' finally hits our shelves, documenting the classic street soul and pop singer's best known works - but only in the form of cover versions of her most influential songs by other artists, reinterpreting many of the songs from Cherry's extensive back catalogue. Contributing artists include Robyn, Anohni, Greentea Peng, Kelsey Lu, Sudan Archives, and Tyson - as well as a standout cover from revered pop singer Sia, of Cherry's hit song 'Manchild'.

Review: Greta Van Fleet were either born too late or at exactly the right time. It all depends on how you feel about Led Zeppelin-esque hard progressive rock music, which is a relatively fitting description for the band although not necessarily bang on. Straight out of Frankenmuth, Michigan, the four piece formed of brothers Jake and Josh (twins no less) and Sam Kiszka, and Danny Wagner, know how to wail, riff, and drive tracks forward, and seem disinterested in falling for, or fawning over, the latest best things since sliced bread. Instead, they create these huge rock 'n' roll symphonies that seem made for stadium-sized crowds. Take 'Meeting the Master', for example - any bigger and it would take over the world itself. Even in less grandiose moments, 'Farewell For Now', it's hard to deny the rousing qualities at play. Overall, then, Greta Van Fleet may be exactly what we all needed, without realising it.

Review: The widely adored jazz and pop crooner Norah Jones is back with another super soothing new album. Vision arrives on the legendary Blue Note and is the ninth full-length from the singer-songwriter but the first in collaboration with Leon Michels who is an instrumental maestro behind the El Michels Affair. He brings plenty of musical richness and charming hooks and melodies to the smoky and soulful vocals of Jones. All 12 tunes are vibrant and joyous as Jones sings about feeling free, wanting to dance, making it right, and acceptance of what life brings. It's a more uplifting work following on from the melancholic vibe of her last outing Pick Me Up Off The Floor which was released early in the early pandemic days of 2020.

Review: Despite her superstar status, gained in the years following her 2002 debut, Norah Jones has refused to stick to the same musical script, instead choosing a wide range of collaborators while applying her song writing talents to a variety of genres. On Visions, she's once again evolved her sound further in cahoots with producer Leon Michels - founder of revivalist funk-soul stable Big Crown Records and long-time member of the Dap-Kings. What's on offer is pleasingly fuzzy and nostalgic in tone, with the pair conjuring up songs and sound worlds rooted in late 60s garage-soul, psychedelic dream pop, and a brand of Americana rooted as much in black American music as country. For proof, check superb recent singles 'Running' and 'Staring at the Wall'.

Review: Inspired by her desire to embody the "femme divine", Kali Uchis' latest full length (her fourth in total) is an inspired meditation on love, heartbreak and honesty that's already been awarded rave reviews by music critics. Listening back, it's easy to see why. Rooted in soul and r&b but as boundary-blurring as her previous work, 'Red Moon In Venus' features some of her most immaculately executed vocals yet, impactful lyrics and an overall sense that the Colombian-American is an artist at the peak of her powers. For proof, check the aquatic, timeless-sounding soul shuffle of 'Moonlight', the rushing disco-pop surge of 'Happy Now' and the simmering, lovelorn brilliance of 'I Wish You Roses'.

Review: Following the more contemporary r&b, neo-soul and psychedelic funk flavours of 2023's Red Moon in Venus, a set in which she sung almost entirely in English, Colombian American artist Kali Uchis has decided to return to her roots on fourth full-length Orquideas. That not only means vocals in Spanish, but also a varied sound palette that draws on a wide variety of Colombian and wider Latin musical styles - think reggaeton, demblow, bolero, salsa, Brazilian MPB and bossa-nova. It's a superb, expansive and evocative set all told, with a fine supporting cast of high-profile guest performers including Karol G, Peso Pluma, El Alfa and JT.

Review: Kali Uchis is a globally renowned Columbian r&b and pop songstress who first rose to fame due to her frequent collaborations with alternative hip-hop wunderkind Tyler, the Creator. She has dropped a few great records ever since that bring her unique cultural heritage to r&b and result in hooky tunes, feel good grooves and plenty of great songwriting moments. Her critically acclaimed Red Moon In Venus LP from last year now gets followed up by the lush crooner here. Her Latino-heritage imbued compositions make for a second Spanish-language album, following 2020's Sin Miedo (del Amor y Otros Demonios), which is well worth hearing.

Review: The Killers have long-since divided opinion. Yes, tracks like 'Mr Brightside' will still fill dancefloors slick with WKD each and every Saturday night, beer boys and party girls and lost freaks and first-timers all joining together in one of the most memorable choruses of the century so far. But then their penchant for OTT pomp and pageantry has always been something of a stumbling block for many 'proper rock fans'. With that in mind, Pressure Machine could do wonders for breaking down barriers.

We're not in Kansas anymore, that's for sure, but instead Utah, and the small town of Nephi, where lead singer Bradley Flowers grew up. The album effectively takes us on a tour of what was and what probably still is, by way of a more salt of the Earth, somewhat intimate and narratively-driven collection of rock 'n' roll tracks that invoke a timeless sense of American guitar storytelling, albeit with some theatrics still intact.

Review: McCartney III was the18th solo album by legendary musician and former Beatle Paul McCartney. Imagined is the remix version that came digitally back in April and now lands on vinyl. The artists chosen to remix were all selected by McCartney himself and are said to feature "friends, fans, and brand new acquaintances." The record has picked up plenty of positive reviews already and that should be no surprise given the heavyweights included. The likes of Beck, Khruangbin, Dev Hynes, Ed O'Brien, Damon Albarn, Josh Homme, Anderson .Paak, Robert Del Naja, and Idris Elba all make for a contemporary mix with diverse results.

Review: Given anyone over the age of 35 grew up with copies of Queen: Greatest Hits Vol. 1 and Vol. 2 in the house, you could be forgiven for asking if we need another retrospective of the iconic English rock band. Not least as there's also a Greatest Hits Vol.3, which many don't realise due to the success of the preceding two and how long the third took to materialise after the tragic death of lead singer Freddie Mercury.

Perhaps riding on the shirttails of the Platinum Jubilee of another monarchical figure, The Platinum Collection arrives and, on the face of it, does little that's not been done before. Don't Stop Me Now, Bicycle Race, Bohemian Rhapsody, Under Pressure, Flash - all the usual suspects are here. Keep reading, though, and you realise just how much else is here. Pretty much every great Queen track, plus stacks of post-Mercury singles and cover versions with all ranging from George Michael to Wyclef Jean. What's not to like?

Review: London-based singer-songwriter, producer and DJ SG Lewis is back with his sophomore long player. AudioLust & HigherLove finds the talented creator building on his auspicious debut with a record that is served up in two distinctive halves. His debut was all about colourful and cosmic disco and here he offers driving late-night club bangers as well as ecstatic pop sounds. Both are effortlessly and expertly realised so as to make maximum impact in a range of settings from sweaty back rooms to festival main stages via glistening pool-side parties in Miami. Big hooks, organic instrumentation and vocal eloquence are all in plentiful supply on a record that cements his status as a modern great.

Review: On Evolve, Nick Douwma has gone back to the future, offering up an album that giddily mines the music that inspired him to fall in love with electronic dance music in the first place. So, while it's undoubtedly a radio-friendly, 21st century big-room dance album, the collected tracks include nods to many classic dancefloor anthems (see 'Fine Day', an EDM-d&b re-make of the Opus III classic that also inspired Orbital's 'Halcyon'), crossover acts of old (the Prodigy, the Chemical Brothers), vintage hardcore and jungle, and 90s house. A string of guests and collaborators swing by to help, including ARCO (on recent single 'Vibration (One More Time)', Chicago house stalwart Gene Farris (on the throbbing, festival-friendly 'It's Time'), and hardcore and jungle pioneer Jonny L ('Turn Up The Bass').

Review: After a run which has seen her re-recording her early albums in defiance of a restrictive record deal, Taylor Swift dropped a bomb at the MTV VMAs this year by announcing her 10th studio album. Since then, the information has been trickling out with the steady precision we expect from one of pop's biggest stars, and finally we can clutch Midnights. An album steeped in concept and supposedly drawing from 13 different sleepless nights from throughout Swift's life, it's a reflection on those strange places we go in ourselves when we choose to burn the midnight oil, crafted alongside her steadfast producer Jack Antonoff. There are a variety of editions of this highly anticipated record, and this Blood Moon pressing is sure to be one of the most coveted.

Review: After a run which has seen her re-recording her early albums in defiance of a restrictive record deal, Taylor Swift dropped a bomb at the MTV VMAs this year by announcing her 10th studio album. Since then, the information has been trickling out with the steady precision we expect from one of pop's biggest stars, and finally we can clutch Midnights. An album steeped in concept and supposedly drawing from 13 different sleepless nights from throughout Swift's life, it's a reflection on those strange places we go in ourselves when we choose to burn the midnight oil, crafted alongside her steadfast producer Jack Antonoff. There are a variety of editions of this highly anticipated record, and this Mahogany pressing is sure to be one of the most coveted.

Review: After a run which has seen her re-recording her early albums in defiance of a restrictive record deal, Taylor Swift dropped a bomb at the MTV VMAs this year by announcing her 10th studio album. Since then, the information has been trickling out with the steady precision we expect from one of pop's biggest stars, and finally we can clutch Midnights. An album steeped in concept and supposedly drawing from 13 different sleepless nights from throughout Swift's life, it's a reflection on those strange places we go in ourselves when we choose to burn the midnight oil, crafted alongside her steadfast producer Jack Antonoff. There are a variety of editions of this highly anticipated record, and this Lavender pressing is sure to be one of the most coveted.