EEE レコード& CD

Review: EEE stands for East End Edits and beyond that, we know nothing about this white label and production outfit. So far they have seven up their own takes on Madonna, Depeche Mode and Kelis, St Germain stye deep house and smoky late night minimal. This is a one-track wonder on one side of wax and it is a thumping and steamy deep house cut with driving drums and swirling pads. A vocal sample is littered through as the crispy percussion adds texture. It's tasteful and well-designed but also set to do plenty of damage to the dancefloor.

Review: We're now up to a 15th transmission on the EEE label from whoever the EEE artist is or are. Each one offers killer tech house material designed to get a floor bouncing but also hooked in with some smart samples. To kick off here, it's Suzanne Vega's silky and soulful tones that add soft edges to the razor-sharp tech drums and perc of 'Track 1.' It's fun and functional in equal measure. 'Track 2' is a succulent jazz house groove with instantly recognisible sax melodies and surging drums. The third and final piece of this irresistible puzzle is 'Track 3', another accomplished and effective house sound that has all the right ingredients to cut through and make its mark.

Review: EEE is many things - a huge part of Yorkshire dialect, a rather fun party prescription (apparently) and also the name of a low key but high class label that deals in hand-stamped 12"s that pair fun with function. This 16th such outing is another testament to that. The A-side is a nice deep and dusty tech house cut with cheeky samples that hook you in, and the A-side also has just one track on it and it is built on a chunk y low end, peppered with hits and looping bass and topped with classic vocals Missy samples that you can imagine will do damage in Ibiza the summer.