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Drag City US レコード& CD
Browse the latest Vinyl & CD releases on Drag City USSimilar labels:
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Review: Ty Segall, one of the leading lights and most hard-working artists of America's west coast garage scene, perfectly balances quality and quantity with 'Freedom's Goblin', his tenth studio album under his own name (include his live records, aliases and collaborations, and the total body of work effectively doubles). Having seemingly ditched the songwriting rules he had set himself on previous albums, 'Freedom's Goblin' sees Ty Segall at his most explosive and full-throttle, inventively exploring the many avenues of sub-genres of rock and psychedelia. Consisting of 19 ironclad songs that clock in at nearly eighty minutes, this is an expansive and exhilarating album that never becomes tiring. The wild combination of flawless production (co-engineered by the legendary Nirvana producer Steve Albini) and Segall's balance of raw power and melodic sensibility, makes 'Freedom's Goblin' another astoundingly high-calibre addition to an already colossal catalogue.
… Read more in stock $28.26
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Review: Quiet introspection and a fascinating view of 'ordinary life' characterise the latest solo record from singer-songwriter Bill Callahan. Many of his lyrics are observations of the mundane, but elevated by his wordplay and the dreamy, lullaby like quality of the guitar strumming around them. Nothing along the way here is ever forced, it unfolds with a sense of realism that is compelling throughout, and though much of it is masculine in subject, there is a feminine side to the emotion that make it widely accessible. Folky music this warm, heartfelt and filled with simple gratitude is a stable for this label, but few do it as well as Bill.
… Read more in stock $23.33
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Review: Singer-songwriting wrapped up in the dusty acid wash denim of Americana doesn't really get more authentic than what Bill Callahan of Silver Spring, Maryland, can deliver. His latest LP, a mass saunter through 20 tracks of smokey spoken word and lightly sung lyrics, falls upon a picturesque bevvy of humble and acoustic instrumentation. Callahan's songs croon with romance, metaphor, and folky yarns that find their place among fingerpicked guitars and light melodies that enjoy a contrast with the darker musings of Callahan's own world of experience and storytelling. It presents the artist with his first studio in some five years, and a sound that is looser than a typical Bill Callahan missive but full of melodrama that centres around life and death. Our pick, Callahan's cover of the Carter Family's "Lonesome Valley".
… Read morePlayed by: Juno Recommends Rock/Indie
in stock $28.52
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VARIOUS
John Mulaney & The Sack Lunch Bunch (Soundtrack) (gatefold LP)
Cat: DC 774. Rel: 21 Aug 20
Soundtracks
in stock $16.96
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Review: There's something uniquely Japanese and slightly off-kilter about the pop-making prowess of Eiko Ishibashi, a singer-songwriter, improvisational drummer, pianist and all-round experimentalist that counts Editions Mego and Oren Ambarchi's Black Truffle as labels she has released on. She returns to Drag City, an all time Chicago label famous for records by Pavement and Stereolab to more recently music from Ty Segall and the all-talented John Mulaney. Ishibashi's music here, however, sways from heavy industrial beats to future, funky and avant pop numbers like "Iron Veil". It's a record that will take some getting used to but there's no denying you will get used to it too; if you can keep up with its modernity that comes from way out leftfield.
… Read more in stock $18.14
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Review: For all her otherworldly talents, even hardcore fans of Joanna Newsom will likely be relieved to hear that 'Divers' marks a very slight move back from the artistic brink compared to 2010's 'Have One On Me', an exhausting triple-album embarrassment of riches which few ever made it though in one go. Yet there's no hint of compromise on the deliriously thrilling 'Divers', despite its slightly more concise approach - the elegant yet baroque wordplay, ornate and innovative arrangements and Newsom's unique voice are all present and correct - yet more, these emotive and engaging ditties may mark the most accessible thing this iconoclastic and mercurial artist has thus far summoned from the ether.
… Read morePlayed by: Juno Recommends Rock/Indie
in stock $27.23
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Review: For all her otherworldly talents, even hardcore fans of Joanna Newsom will likely be relieved to hear that 'Divers' marks a very slight move back from the artistic brink compared to 2010's 'Have One On Me', an exhausting triple-album embarrassment of riches which few ever made it though in one go. Yet there's no hint of compromise on the deliriously thrilling 'Divers', despite its slightly more concise approach - the elegant yet baroque wordplay, ornate and innovative arrangements and Newsom's unique voice are all present and correct - yet more, these emotive and engaging ditties may mark the most accessible thing this iconoclastic and mercurial artist has thus far summoned from the ether.
… Read more in stock $9.32
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Review: Five years after the second life of Death was started with the release of their revelatory 1976 album, "For The Whole World To See", "III" slams the door on the vault with a powerful set of songs that bring equal amounts of rock and ethereal soul-searching, in high-fidelity, rich bottomed, studio-grade sound. Alongside songs from 1975, 1976 and 1980, "III" contains two songs from 1992, as the Hackney brothers reconvened nearly a decade after they'd stopped playing together. The album serves as a companion piece of sorts to the "A Band Called Death" documentary, tracking the band's movement from spiritual young rockers to older and wiser, bruised-but-undefeated brothers, in pure musical terms. David Hackney's visual representation of Death was a triangle, where "spiritual", "mental" and "physical" formed the three angles. With this in mind, "For The Whole World To See" is clearly the physical corner, with its undeniable proto-punk power; "Spiritual-Mental-Physical" explores the mental axis, with Death working through some of their influences including The Beatles, Jimi Hendrix, The Who and even ELO in their practice space. "III" is the spiritual end of the portrait, bookended by the dreamlike rock visions of David Hackney that created and propelled the band called Death.
… Read more in stock $16.98
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Cat: DC 358LP. Rel: 30 May 13
Indie/Alternative
in stock $23.33
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Review: It's October 2020 and two Bills decide to do a cover version of the 1967 Yusuf Islam (Cat Stevens) protest track 'Blackness of the Night'. A fitting choice given at the time the world was stuck in a strange recurring nightmare, defined by confusion, isolation, and pessimism, the track was not only appropriate, it was wonderfully re-read by the artists bringing it into the present day.
And they didn't stop there. Soon, there were more new versions of old greats coming from the pair, and the smart money was always on an album arriving at some point in the future. Well, that point is now, and finally we have it. Better yet, this is every bit as lovely as we could have hoped. Combining elements of pop, folk, blues, country, gospel, and rock, it's accomplished, sophisticated, and hugely enjoyable.
… Read moreAnd they didn't stop there. Soon, there were more new versions of old greats coming from the pair, and the smart money was always on an album arriving at some point in the future. Well, that point is now, and finally we have it. Better yet, this is every bit as lovely as we could have hoped. Combining elements of pop, folk, blues, country, gospel, and rock, it's accomplished, sophisticated, and hugely enjoyable.
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Review: Ty Segall's first album in two years takes the artist into rather new and unexpected musical territory. The production has had a whole redesign and come out the other side with a synthtastic sound but there remains a load of keys and guitars, too. As such Harmonizer sounds new and fresh with plenty of bursts of transcendent energy. The Freedom Band were called upon during the origin of this album and so appear all throughout it, but often one at a time. This intense record is a grown up soul sound that gets more and more compelling with each listen as fresh details keep on revealing themselves.
… Read more in stock $24.36
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Review: Mind Maintenance is certainly an appropriate name for this duo. Usually grounded in jazz, here bassist Joshua Abrams and drummer Chad Taylor look far beyond the world of cool cats and late night bars, casting their gaze on more organic and earthy tones. Picking up a guimba - perhaps better known to some as the guitar-ish sintir regularly heard in Moroccan music - and mbira, a family of Zimbabwean percussive instruments, the tones are, unsurprisingly, transportive.
Through highly complex but minimalistic arrangements we are taken to places that can only really be described as 'not here'. The repetitive loops of padded beats and chimed melodies seem to go straight for the mind's eye, boring ever deeper into our subconscious and holding on tight once there. Close your eyes and the world in front of you quickly fades, leaving nothing but hypnotic tones that deserve to be heard outside, beneath the stars, by the fire.
… Read moreThrough highly complex but minimalistic arrangements we are taken to places that can only really be described as 'not here'. The repetitive loops of padded beats and chimed melodies seem to go straight for the mind's eye, boring ever deeper into our subconscious and holding on tight once there. Close your eyes and the world in front of you quickly fades, leaving nothing but hypnotic tones that deserve to be heard outside, beneath the stars, by the fire.
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Review: Four new amorphous cuts from Bitchin Bajas, a Chicagoan trio active since 2010, and operating in the circle of freeform, longform, largely formless improv electronica. A staple of the North American music circuit, their live show is a mammoth operation involving tapes and guitars, and their music sounds something akin to what would happen if Terry Riley's Buddha on the front cover of 'Shri Camel' were given an extra bionic limb. 'Amorpha', 'Geomancy', 'World B. Free' and 'Quakenbruck' are rhythmic, humble forways through 'waves', 'phases', 'stratospheric arcs' and whatnot, leading to a fantastical musical enlightenment.
… Read morePlayed by: Stunty, Juno Recommends Downtempo
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