Dead Oceans US レコード& CD

Review: 'Mordechai is another blissed-out record from Texan party-chill-psyche trio Khruangbin. It's also among the outfit's most defined and driven, a smooth, sticky hot funk odyssey made for hazy afternoon soirees. Leader Laura Lee is, as ever, unfathomably siren-like on vocals, her bass grooves aiding the process of seduction no end. Even at the most upbeat and anthemic, 'Time (You and I)', it's hard not to feel woozy and intoxicated by the pared-back breaks and guitar lick combination. Dance floor ammo for sure, as is Pelota. Overall, though, it's an album best savoured slowly, allowing you to fully appreciate every lackadaisical moment of opiate goodness, with tracks such as 'Father Bird, Mother Bird', 'One To Remember' and 'Shida' summoning stunning sticky, heavy, deep atmospheres.

Review: RECOMMENDED
The remix album is probably pretty hard to crack in terms of putting it together. On the one hand, you want a broad selection of producers to take the work and make it new again. But there's also a very real risk of winding up with a bunch of random tracks with no real coherent thread to ensure the LP is actually going to get enough people buying to warrant engineering, mastering, and pressing costs.

Khruangbin have certainly cracked it with these takes on tracks from their most recent and perhaps most lush long form outing to date. We have sophisticated micro house, percussive slo-mo disco, slick-to-the-touch downbeat grooves and surrealist pop, all of which work both individually and together, the result being a record that not only knows its own mind, it can easily convince others, too.

Review: 'Mordechai is another blissed-out record from Texan party-chill-psyche trio Khruangbin. It's also among the outfit's most defined and driven, a smooth, sticky hot funk odyssey made for hazy afternoon soirees. Leader Laura Lee is, as ever, unfathomably siren-like on vocals, her bass grooves aiding the process of seduction no end. Even at the most upbeat and anthemic, 'Time (You and I)', it's hard not to feel woozy and intoxicated by the pared-back breaks and guitar lick combination. Dance floor ammo for sure, as is Pelota. Overall, though, it's an album best savoured slowly, allowing you to fully appreciate every lackadaisical moment of opiate goodness, with tracks such as 'Father Bird, Mother Bird', 'One To Remember' and 'Shida' summoning stunning sticky, heavy, deep atmospheres.

Review: The eagerly awaited album A La Sala marks the return of Texas-based trio Khruangbin, seamlessly blending Thai funk, psychedelic rock, and world music influences. Laura Lee's groovy basslines, Mark Speer's intricate guitar melodies, and Donald "DJ" Johnson's precise drumming define each mesmerizing groove. Tracks like 'Farolim De Felgueiras' and 'A Love International' exude a relaxed vibe, perfect for lazy summer days, while 'Juegos Y Nubes' infuses Latin rhythms with a psychedelic twist. A La Sala takes listeners on a captivating journey through diverse musical landscapes, showcasing Khruangbin's adeptness at genre fusion and their talent for crafting sonic euphoria.

Review: Desert funkers Khruangbin announce their latest album A La Sala, turning their efforts inward to a more personal recollection of childhood and origination, and to reach a firmer understanding of what exact influences made this troupe who they are today. In contrast to their last record Mordechai (2020), uniquely conceived as a party record from the jump of its making, A La Sala (translation: 'to the room') is the measured, self-reflective morning after; lead singles 'May Ninth' and 'A Love International' pare back the layers even further than we could imagine Khruangbin pulling otherwise, making for emotional ponderings of the external world, inextricably tied to the internal as it is.

Review: Texas-based trio Khruangbin returns with their highly anticipated album, A La Sala, blending Thai funk, psychedelic rock and world music influences. Laura Lee's funky basslines, Mark Speer's intricate guitar work, and Donald "DJ" Johnson's precise drumming define each hypnotic groove. Tracks like 'Farolim De Felgueiras' and 'A Love International' emit a laid-back aura, ideal for lazy summer days, while 'Juegos Y Nubes' adds Latin rhythms with a psychedelic twist. 'A La Sala' offers a rich journey through diverse musical landscapes, solidifying Khruangbin's mastery of genre fusion and their ability to create sonic euphoria.

Review: Texas-based Thai funk and psychedelic trio Khruangbin are back with another much anticipated new album in the form of A La Sala. The record presents a mesmerizing blend of psychedelic rock, funk, and world music influences that showcases the band's signature hypnotic grooves. Each one is characterized by Laura Lee's funky basslines, Mark Speer's intricate guitar work, and Donald "DJ" Johnson's precise drumming. Tracks like 'Farolim De Felgueiras' and 'A Love International' exude a laid-back vibe, perfect for lazy summer afternoons, while 'Juegos Y Nubes' infuses Latin rhythms with a psychedelic twist. Overall, A La Sala is another rich journey through diverse musical landscapes that reaffirm Khruangbin's reputation as masters of genre fusion and purveyors of sonic bliss.

Review: Texas-based trio Khruangbin returns with their highly anticipated album, A La Sala. Blending Thai funk, psychedelic rock, and world music influences, the record mesmerizes with hypnotic grooves. Laura Lee's funky basslines, Mark Speer's intricate guitar, and Donald 'DJ' Johnson's precise drumming shine throughout. Tracks like 'Farolim De Felgueiras' and 'A Love International' exude laid-back vibes, ideal for lazy summer afternoons, while 'Juegos Y Nubes' adds a psychedelic twist to Latin rhythms. 'A La Sala' is a captivating journey through diverse musical landscapes, reaffirming Khruangbin's mastery of genre fusion and their ability to create sonic bliss.