DBX Pro

Notes: When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, the dbx EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 131s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 131s includes a single 31-band channel of 1/3-octave equalization, 12 dB input gain, switchable +/-6 dB or +/-12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 110 dB dynamic range to the quality componentry and meticulous attention to detail, the 131s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 131s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.

Notes: Adding a dbx 266xs Compressor/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.

The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Over-easy compression technology provides smooth and musical performance while the Auto-Dynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The compressor can operate in either stereo or dual mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. Gain reduction metering and easy to read backlit switches are also included, to provide you with all the visual feedback you need to see what the compressor is doing.

Notes: We all know how frustrating and time consuming it can be when your audio cables fail. With the dbx CT2 cable testing unit you can now evaluate a large variety of your cables with ease.

The CT2 offers many common connectors such as Speaker Twist, XLR, Phono, BNC, DIN, TRS, TS, DMX, & Banana. The CT2 allows for testing cables even with different connectors at each end.

For example, it is simple to test a TRS to XLR cable. With well illuminated LED indicators and a simple rotary dial, users can quickly establish whether a cable is wired and functioning correctly, or if it is dead and in need of repair.

Notes: The dbx CT3 is an advanced cable testing unit allowing you to evaluate a large variety of cables with ease. The CT3 offers many common connectors such as RJ45, RJ11, MIDI, Speaker Twist, XLR, RCA Phono, BNC, DIN, TRS, TS, DMX, & Banana. It can be split into 2 parts, a SENDER and RECEIVER so preinstalled and long cables can be tested.

Recommended for: Studio, Tour, Portable.

Notes: The DBX Di1 is a compact high-quality active direct injection box. Ideal for both studios and on the road, the Di1 will ensure audio signals reach their intended destination in both a balanced format and free from unwanted noise.

Connect the output from electric guitars, bass amplifiers, keyboards, etc., directly to a console mixer without the use of a microphone.

Built for toughness and reliability, the Di1 has all the features of a fully featured gig-ready workhorse DI unit.

Notes: The 2-channel passive DJdi is designed to be used as a standard tool for many audio applications. Offering two channels, the DJdi easily solves the problem of converting unbalanced signals into balanced output suitable for use with mixers, PAs, recording consoles and more. The continuously variable input signal attenuator can accommodate a wide range of signal levels and its passive design means clean, quiet and uncolored operation with no power required.

Features
Dual Channel
(2) 1/4" 50k Ohm TS Inputs
(2) XLR Transformer-Isolated 600 Ohm Input/Outputs
Passive Circuit Design
Continuously Variable Input Attenuator
Ground Lift Switch

Specifications
Circuit Passive
Inputs 2
Input Connectors 1/4" TS (Tip Hot, Sleeve Ground)
Input Type Unbalanced, RF Filtered
Input Impedance 50 kOhm
Outputs 2
Output Connectors Male XLR, Balanced, Pin 2 hot
Output Impedance 600 Ohms
Noise Level -104dBu (22Hz -22kHz, Input Shorted)
THD+N (10Hz-22kHz) 0.23% typical @ +4dBu @ 1kHz
Insertion Loss 21dB typical

Notes: Well, it's not very glamorous, but everybody needs a patchbay. And as for the PB-48, it is a patchbay that just works, all the time, every time. It comes in 2 flavors: half-normalled or de-normalled, with 48 1/4" points on the front panel, connected to 48 1/4" points on the rear.

The PB-48 is a rugged, noise-free, versatile patchbay designed to serve all your patchbay needs, from providing clear and easy access to your mixer and other studio gear, to reducing the wear and tear on their jacks, to facilitating quick and precise rerouting of devices within your studio setup. See, not glamorous, but it works great.

The specifications:

Chassis dimensions (H x W x D): 44mm x 482mm x 68mm
Module dimensions (H x W x D): 40mm x 18mm x 68mm
Shipping weight: 1.06kg
Jacks: 1/4" phone, balanced or unbalanced.