Captured Tracks US レコード& CD

Review: DIIV formed back in 2011 and made big impressions within the blog world and then the real world after debut single 'Sometime' picked up plenty of attention. It was follow up with two further singles as well as a cover of a Kurt Cobain tune 'Bambi Slaughter' and to mark the 10 year anniversary all of their debut album all of these 7"s re pulled together on vinyl and serve as a great reminder of where the band has come from. They scream DIY and are very indicated of the Brooklyn scene out of which they were born with songs that muse on love in all its many different ways.

Review: Long Island outfit The Lemon Twigs frequently leave critics confounded and confused, in part because their shape-shifting style tends towards the over-the-top and grandiose. Rooted in a love of 70s glam, the theatrical rock pomp of Queen and a tongue-in-cheek love of overblown rock operas, they seem to delight regular listeners while rubbing reviewers up the wrong way. On Everything Harmony, their new album, they've re-set their influences once more, delivering a blend of folk-rock, Simon & Garfunkel style folk revivalism, prime Beatles and the close harmony bliss of the Beach Boys, with a dash of fuzzy garage rock and giddy psychedelia thrown in. It's well-crafted and expertly executed stuff that's hugely easy-going and enjoyable, whatever sniffy critics may say,

Review: In many ways, Strum & Thrum is the antithesis to most rarity compilations. Whereas the majority go for the 'unearthing of cool' approach, the Capture Tracks label has opted to collate a huge play list of tunes that really aren't that cool at all. It does, however, reflect the roots and influences of the imprint's roster artists, and a specific time and scene in the history of American indie rock that is often overlooked. Namely one that ignored much of the unkempt and raw energy that was pervading guitar music's underground at the moment.

It's also a far cry from the stadium-cramming, permed hair of the heavy rock and formative metal scene, too. Instead, we have a long list of relatively obscure and half-remembered bands that took inspiration from the past. And by that we mean much 1960s and early-1970s classic rock, a distinctly blues-free, anti-punk sound that's going to please many, while failing to register with the others.