Big Crown US レコード& CD

Review: The faultless Big Crown label revisits one of its biggest hits from back in 2016. New York City-based collective 79.5 is made up of seven musicians and singers and their gorgeous 'Terrorize My Heart' 45rpm reached some heart aching disco highs. Now it comes with in two new forms - the disco dub with its seductive drums and bass and airy, soulful vocal, and a remix from hip hop royalty Tall Black Guy. He deconstructs the tune and rebuilds it as a smoky, jazz tinged slow motion hip hop beat. The chords are warm and cuddly, the vocal is more meandering but still acts as the perfect icing on a delicious cake.

Review: Huzzah! New music from Liam Bailey, who has voiced a couple of the most gorgeous reggae, soul and dub fusion 7"s we've got in our collection in recent years. He has, we're told, recently been recording a new album and the two tunes pressed up here on Big Crown are taken from it. El Michels Affair man Leon Michels is the go-to producer once more for Bailey and they strike gold as always with 'Dance With Me'. It is a hella catchy two-stepper that harks back to the earliest days of reggae. On the flip, 'Mercy Tree' has hard-hitting drums and big horns that come with a powerhouse vocal that speaks of racial tensions that sadly persist throughout the world. It's a standup jam with a potent message.

Review: Nicole "Lady" Wray has reinvented herself in recent years, swapping the contemporary, radio-friendly '90s R&B of her youth for a sound heavily influenced by vintage, 1960s and '70s soul and funk. It's a blend that was explored on last year's superb Queen Alone full-length. The two tracks showcased on this 7" were both featured on that album. "Underneath My Feet" is particularly potent, with Wray offering a rasping, impassioned vocal that seems to soar above the triple-time backing track. "Guilty", with its sweet guitars, harmony backing vocals and rock solid funk breakbeat, sounds a little like some of Sharon Jones' more poignant moments.

Review: Norwegian outfit Les Imprimes have already found their feet with their earliest outings on Big Crown. As they continue to build towards their new album Reverie they drop another single from it here in the form of 'Falling Away' backed with 'Still Here'. Both cuts are beautiful and display fine musicianship, the sort of soul that melts your heart and breezy grooves that bring calm to your mind and body. Vocals enrich each cut and on this evidence, the upcoming album is going to be special indeed.

Review: Throughout the 1960s and '70s, Sunny and the Sunliners were one of Texas's most successful groups. They specialised in "Tejano music", a Tex-Mex fusion of popular American and Latin American styles. "Should I Take You Home", which was first released on 7" single in 1969, is arguably one of the group's "straightest" tracks; a sweet, laidback soul ballad full of Stax style horns, close harmony backing singing and a sublime, emotion-filled lead vocal. Flipside "My Dream" is similarly heartfelt and saccharine in feel, with bandleader Sunny Ozuna's vocal alternating between impassioned sweetness and world-weary melancholy.

Review: Thee Marloes are next up on the popular and brilliant Big Crown label with two seductive soul sounds. This is a 45rpm debut from this band and a fine one too that comes all the way from their homeland of Surabaya, Indonesia. As such this is a wide mix of sounds from American soul, jazz, and pop with plenty of local culture and influences. The A-side is an upbeat jam with dancefloor grooves and ear worm melodies while the flip is a different vibe entirely with wide open space used beautifully and great Indonesian vocals.