Gus Gus - "Your Moves Are Mine" (Sanasol remix) (9:24)
Thor - "Black" (7:32)
Biogen - "Stream" (Sanasol Lost In Time remix) (6:39)
Review: Next up on the ever-excellent Oscillat is "Spellbound" by the supremely talented Matthew Dekay. This moving deep house jam uses a few key elements to make a soul-stirring confection for truly spine-tingling moments in the middle of the dance. From the slithers of vocal to the insistent key riff that bounces throughout, this is an outstanding slice of contemporary house music loaded with feeling. Mandar then take the original and inject it with a feisty peak time energy shot through with a little trancey magic and an acidic undertone. It's not a raging beast but rather an energizing workout for the brain and the body - just what you need in the midst of a marathon.
Review: Next in store for the prestigious Icelandic label AE Recordings is a collaboration between well-known Icelandic & Russian artists. The Moscow legend Anton Kubikov delivers a beautiful & haunting minimal techno track, bound to encapsulate the essence of Russian winter - while SCSI-9 offers a dubby and a hypnotic techno anthem. The Icelandic regulars of the label bring their goods to the table. The ever-intriguing collaboration of Ohm & Octal Industries never ceases to disappoint - and their contribution is an intriguing atmospheric deep house track, ideal for home-listening as well for the late-night rooms. The Thule Records label boss Thor offers a musical equivalent of a megafauna with his track - heavy hitting dub chords, mindbending delays & that little extra magic that we all love from the Icelandic god of thunder. Essential for the record bag!
Review: AE Recordings turns its attention to Oculus, who they describe as a "titan of the Icelandic techno scene", famed for his live sets that have kept bodies moving for the past decade. He commits some of his sounds to wax here, maintaining the otherworldly emotional lilt that often comes from the scene orbiting AE and Thule Records, but with a bolder sound palette than some of the icy dubbed out artists he rubs shoulders with. "Nostalgia" deals in powerful, swooning chord progressions, while "Rydgad" pings a set of metallic percussion around a sturdy but crooked low end groove. "Morph" takes things deeper, while "Flod" offers up a classy take on the minimal techno aesthetic, with added sound design trysts for good measure.
Review: The resurgence of Icelandic techno continues with the latest release on AE Recordings, seeing Bjarnar Jonsson returning to his long standing Ohm project alongside emergent talent Kvadrant. The pair were last seen on Kvadarant's Kontakt label, and their production partnership is clearly still yielding quality, dubbed out techno in the finest Scandinavian tradition. Even if all the tracks are built with a steely techno focus to them, the synth work and sound design scattered throughout the tracks elevates this to a higher level, not least on the bubbling geisers of signal processing that course through the middle of "Grip".