Review: Kris Baha had a big year in 2019 with the release of his debut album on CockTail d'Amore and an EP on Pinkman, and now the Australian body music man in Berlin is back with a high-pressure heater for [Emotional] Especial. "Barely Alive" is the kind of sinewy proto-industrial cut that will appeal to fans of Ministry's earlier work, when the synths reigned supreme and there was pop to match the noir. Especial then call on a cast of remixers to interpret the track in different ways, from Timothy J Fairplay amping up the dystopian disco tropes to Das Ding creating a sleek electro-funk twist with the original's gothic undertones intact.
Blood Moon (Dawl & Sween Tone DropOut remix) (7:17)
Blood Moon (Violet remix) (5:56)
Review: Kim Ann Foxman takes a break from her own Self:Timer label to pop up on [Emotional] Especial. Her track "Blood Moon" hinges around rolling breaks and a globular monosynth bassline, but it's Foxman's vocals that give the track an electric, mystical energy that will cast a spell over the dance. Roza Terenzi takes the original and jacks it up, sharpening the focus of the rhythm section without losing the crunchy breaks. Dawl and Sween channel some bleeps n' breaks vibes of their own with a version that keeps things darkside and wiggy for the old-skool crew. Rounding things off, Violet's remix emphasises the acid as it plunges into the depths of the dungeon in a hooky, hard-edged style.
Love Is Enough (Jamie Paton Cloudy dub-out) (7:41)
Love Is Enough (Luke Solomon dub) (7:03)
Love Is Enough (Khidja dubstrumental) (6:27)
Love Is Enough (Alphonse dub) (5:57)
Review: Previously spotted on Emotional [Especial] with the fantastic Love Is Enough 12", Plus Instruments get the remix treatment in a classic '80s style with the Dub Is Enough single. The producers tasked with delivering versions vary wildly, but they make for a strong combination. Jamie Paton's "Cloudy Dub-Out" is masterful, simmering the elements down to a sensual bassline and delicate ripples on top, while Luke Solomon brings his bumpy, off-kilter house style to the table. Khidja has a more dramatic, synth laden approach and Alphonse creates a dusty, funky roller out of that killer bassline groove.
Review: It's been a hot minute since Timothy J. Fairplay slipped on his Junior Fairplay guise, but he's done just that for this bleep-tastic new 12" on (Emotional) Especial. "End Of Love" is unabashed in its embrace of early Yorkshire techno tones, making a fine job of resurrecting the bleep spectre and letting it shake up the dance once more. Roy Of The Ravers is a smart choice of remixer, and he brings an off-kilter acid rub to the table in his idiosyncratic, braindance-inflected style. The B-side is equal laden with purposefully dusty dance grooves transplanted from the late 80s / early 90s, with "Faxes From The Future" hitting a particularly sharp point in its lazy breakbeat roll and the clanging harmonies of the stabs.
Review: The pairing of Jeffrey Sfire with Samuel Long (aka PC Music producer Sophie) produced some discoid synth-pop manna for the CockTail d'Amore label when it first appeared back in 2013. Now the duo have been handed over to [Emotional] Especial, who have tasked two choice remixers with turning out some fresh versions of the tracks from the original EP. Timothy J. Fairplay keeps the wave dark and cold on his remix of "Sfire 2", using noirish synth lines to interplay with Sfire's on-point vocal. Meanwhile Willie Burns ramps up the atmospherics with some heavyweight pads on his first remix of "Sfire 3" before turning the original into a cheeky peak time burner for his second.