New releases this week: International

Review: Nestor Alvarez's Midnight in Havana on Original Gravity delivers an electrifying Afro-Cuban instrumental jam that transports listeners to the vibrant streets of Havana. With a mesmerising flute lead and dynamic jam sessions, the track exudes a captivating energy that feels like a theme song for the city's bustling nightlife. The infusion of Cuban soul adds depth and authenticity to the music, immersing listeners in its rich cultural heritage. On the B-side, Alvarez offers a creative cover version of the Happy Mondays' 'Kinky Afro,' reimagined with a Cuban twist. The fusion of Afro-Cuban rhythms and the iconic melody of the original song results in a fresh and exciting interpretation that showcases Alvarez's versatility as a musician. Fans of Latin and Cuban dance music are sure to eat this up.

Review: Natacha Fink's 'Pirarublue' delivers a sexy lounge vibe with hints of jazz rock, characterised by its catchy rhythms and melodies, while on the flip Nimalan Yoganathan presents 'Unseen Songlines,' an ambient piece rich in field recording atmosphere and experimental textures. With its unique sounding hord structures and ample use of echo, this track transports listeners on an introspective journey through soundscapes. Overall, the EP showcases the label's commitment to showcasing eclectic and boundary-pushing music from emerging artists.

Review: Orchestra Mambo International pays vibrant tribute to the golden era of mambo with their latest singles, 'Mambo Te Llama' and 'Del Callejon.' Drawing inspiration from the legendary Tito Puente, the band infuses uptempo Latin dance rhythms and punchy brass arrangements reminiscent of the mambo craze that swept the world in the mid-20th century. 'Mambo Te Llama' captures the essence of the genre with its infectious Afro-Cuban rhythms and lively instrumentation. The track features stellar piano, trombone, and conga solos, keeping the flame of mambo alive with its energetic delivery. On 'Del Callejon,' Orchestra Mambo International showcases a slower mambo groove, accompanied by soulful vibes and captivating solos on timbales, trombone, and trumpet. The incorporation of vibes, popularized by Tito Puente and Cal Tjader in the 1950s, adds a classic touch to the composition, paying homage to the mambo vibes style while infusing it with their unique flair. Both tracks, exemplify Orchestra Mambo International's dedication to preserving and revitalising the spirit of mambo music with their fiery performances and authentic homage to the genre's roots.