Gyedublay Ambolley & The Steneboofs - "Simigwado" (4:36)
Review: Mr Bongo come through with two pounding slabs of Ghanaian magic from 1973. Up top Honny & The Bees live up to their sweet name on "Psychedelic Woman," a hypnotic, insistent mid-tempo bell-bashing, string twanging nodder that really arrests when the big harmonic chorus heaves in. Complementing this, Gyedublay Ambolley & The Steneboofs offer "Simigwado" which will appeal to all break diggers; powerful JB-level horn heaven, it's concentrated funk of the highest order.
Review: Joni Haastrup's classic, cosmic disco LP is among the best of the best in terms of Afrobeat. What is particularly special about it is its 1978 release date - this was miles ahead of everyone else at that stage of African disco music - and the fact that it was the only piece of music to be released under the artist's real name. There is not much we can say about this absolute gem of an album, apart from the fact that it should not be missing from your own shelves, or DJ bag, for that matter. On the latter point, these six tunes are perfect for just about any situation requiring a dance. This is top Afrobeat beat music in all its glory. NOT to be missed. Warmly recommended...
Review: Strangelove Music's latest vinyl-only outing dips into the infrequently explored archives of American multi-instrumentalist Frank Harris and collaborator Maria Marquez, a pairing that previously released a couple of sought after "ethno-wave" singles in the late 1980s. "Echoes" gathers together unreleased music made in 1985, presenting it as an unheard album that oozes off-kilter quality from start to finish. Most of the tracks were made using Harris' custom Synclavier synthesizer station, with his humid and breezy new age melodies and dreamy chords working brilliantly with Marquez's folksy, multi-lingual vocals, a variety of world music inspired rhythms and some seriously atmospheric field recordings. It's a formula that guarantees unusual but inspired results from start to finish.
Review: Jazz Room Records is the work of legendary London jazz-dance DJ Paul Murphy, so it's perhaps unsurprising that the label's first outing is an essential reissue of one of his personal favourites: Hugo Heredia's spiritually-minded 1976 Latin-Jazz fusion masterpiece, "Mananita Pampera". Although it begins with a dense and psychedelic collage of Heredia's breathy flute playing, the album's genius lies in its' combination of heavy Latin percussion, skittish jazz drums and the bright and breezy instrumentation atop (piano, double bass and Heredia on sax). Of course, there are a few slower, laidback cuts to be found dotted across the album, but for the most part it's a sweaty, excitable dancefloor excursion that's been a staple of Murphy's sets since the 1980s.