Review: DJ Gandharva and Von Yodi's long serving Budabeats label is always a trusted source for razor sharp disco digs and more esoteric sounds from the four corners of the earth, and they continue their recent leap to vinyl with this stunning selection of jams from the southern hemisphere. Letta Mbulu's Soweto funk gets a little edit treatment from Petko Turner, while BeTe takes on Camila Costa's gorgeous Ponto Das Caboclas for a perfect sundown reflection led by tender acoustic strumming. Chillum Trio work up a sweat over Ebo Taylor's "Odofo Nyi Akyiri Biara", creating a certifiable party burner in the process, and then Birdhouse completes the package with the irrepressibly funky "Berimbao".
Review: When a 12" turns up with a Ron Trent rework on the A-side, we tend to take notice. In this instance, we were particularly curious to hear what the deep house legend had done to "Krumandey", one of the standout cuts from Highlife legend Ebo Taylor's recent album, Yen Ara. Predictably, his version is superb, brilliantly joining the dots between Taylor's soaring Afro-beat, rolling Afro-house and Trent's own sumptuous deep house electronics. Turn to the flipside for two fresh revisions of "Mumduey Mumduey": a jaunty, sunshine-friendly tweak by Japanese producer Natureboy Flako and a heavy Afro-disco version by Nick The Record rich in bowel-bothering sub-bass and spacey deep house chords.
Ebo Taylor - "Peace On Earth" (Monsieur Scott remix) (4:55)
Pat Thomas - "We Are Coming Home" (5:51)
Pat Thomas - "We Are Coming Home" (2 Paris Septembre re-edit) (4:51)
Review: Comet's ongoing "Highlife Re-Edit" series is perfect for those who want a little contemporary pizzazz alongside their Afro-disco grooves and dancefloor-ready highlife classics. Like its predecessor, the series' latest volume boasts cuts from highlife legends Ebo Taylor and Pat Thomas. The former's punchy, breezy and trumpet-laden highlife-jazz cut "Peace On Earth" can be found on side A, alongside a dreamy Monsieur Scott version that drags the track further towards leisurely jazz-house territory. The Pat Thomas track showcased on side B is "We Are Coming Home", a righteous highlife/funk fusion effort rich in dense percussion and eyes-closed rock guitar solos. The accompanying 2 Paris Septembre Re-Edit brilliantly re-invents it as a bustling broken beat affair laden in shimmering synths and squelchy electronic bass.
Pat Thomas - "Enye Woa" (LeonxLeon Keyed Up mix) (7:20)
Ebo Taylor - "Atwer Abroba" (8:14)
Ebo Taylor - "Atwer Abroba" (Leo Nanjo remix) (5:03)
Review: Comet's "Disco Highlife" re-edit series continues with an EP that draws together original tracks and reworks from two of the Highlife scene's biggest stars: Ebo Taylor and Pat Thomas. The latter can be found on side A, with the tipsy, synth-driven highlife-boogie fusion of "Enye Woa". This is in turn re-edited by LeonxLeon, who has not only extended the original track but also added some superb new spacey synth solos. Turn to the flip for Ebo Taylor's richly percussive, Hammond-laden disco-highlife bubbler "Atwer Abroba" and Leo Nanjo's brilliant remix, which re-imagines the track as a rubbery chunk of Highlife-house drenched in dub delays.
Review: The dusty-fingered diggers behind the BBE label have a reputation for unearthing obscure or unreleased gems, though we doubt that they've previously discovered anything quite as significant as this. Ebo Taylor, the undisputed king of Ghanaian "funky-highlife", recorded "Palaver" with his touring band way back in 1980, but for reasons the man himself can't even remember, Nigerian imprint Tabansi Records never got round to releasing it. That remains an odd decision, because "Palaver" shows Taylor at his very best, with the sax and trumpet-laden brilliance of "Make You No Mind" and the righteous, Afrobeat-influenced highlife brilliance of "Help Africa" being every bit as potent as the Ghanaian's most revered work.