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Bestsellers: Industrial/Noise

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13/3(ページ1/1)の商品
1
Animated Violence Mild
Cat: SBR 220CD. Rel: 16 Aug 19
  1. Intro
  2. Death Drop
  3. House vs House
  4. Hush Money
  5. Love Is A Parasite
  6. Creature/West Fuqua
  7. No Dice
  8. Wings Of Hate
Review: On his three previous solo albums as Blanck Mass, Fuck Buttons member Benjamin John Power offered up abstract but enjoyable blends of ambient, drone, IDM and electronics. On "Animated Violence Mild", his first full-length for two years, Power has decided to take a far more dystopian path, blending ear-catching, synth-pop influenced melodies with thrusting, doom-laden techno rhythms, growling aural textures, industrial strength noise and hybrid electronic power-pop. It's an ear-catching affair, with highlights including the boisterous, distorted techno-pop of "House Vs House", the post-apocalyptic power-trance rush of "Hush Money", the hypnotic, maximal ambient movements of "Creature/West Fuqua" and the pulsating intensity of "Wings Of Hate".
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 in stock $10.94
2
The Second Annual Report Of Throbbing Gristle: 40th Anniversary Edition
  1. Industrial Introduction
  2. Slug Bait, Live At The ICA London
  3. Live At Southampton
  4. Live At Brighton
  5. Maggot Death, Studio Recording
  6. Live At Rat Club, London
  7. Live At Southampton
  8. Live At Brighton
  9. The Original Soundtrack Of Coum Transmissions Film Of 'After Cease To Exist'
  10. No Two Ways (bonus track)
  11. Last Exit (bonus track)
  12. Forced Entry (bonus track)
  13. Tesco Disco (bonus track)
  14. Feeling Critical (bonus track)
  15. National Affront (bonus track)
  16. Urge To Kill (bonus track)
  17. Zyklon B Zombie (bonus track)
  18. United (bonus track)
 in stock $7.56
3
Ravedeath 1972
Cat: KRANK 154. Rel: 16 Mar 11
  1. The Piano Drop
  2. In The Fog I
  3. In The Fog II
  4. In The Fog III
  5. No Drums
  6. Hatred Of Music I
  7. Hatred Of Music II
  8. Analog Paralysis, 1978
  9. Studio Suicide, 1980
  10. In The Air I
  11. In The Air II
  12. In The Air III
Review: Canadian sonic experimentalist Tim Hecker has long been a celebrated exponent of the ambient art form. Since the mid 1990s, he's released a series of acclaimed albums that blur the boundaries between art, music and experimentation, concocting stunning soundscapes through the use of simple melodies, dense, FX-laden instrumentation and alien chord sequences. On the oddly-titled "Ravedeath, 1972", he continues his one-man journey into the echo-laden heart of soundscape electronica. His compositions are at times quiet and fragile ("No Drums"), at others bold and queasily discordant (the two-part "Hatred Of Music"), but they're rarely less than breathlessly beautiful. The three-part "In The Air" is, in particular, quite stunning.
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 in stock $13.03
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