Ahead Of Time (with Park Hye Jin - album mix) (6:59)
Study Of You (6:26)
Forever Alone (4:23)
Review: New York's Baltra follows up his well received debut album from 2016 with a new one named "Ted" in honour of his father who passed away unexpectedly during the writing process. Inevitably that lends the record an extra air of melancholy, even when the grooves are surging. Making a surprise appearance is South Korean artist Park Hye Jin on the busy melodic track "Ahead Of Time" with an intoxicating dreamy verse of her own. As is this artist's style, his crisp drum work is complemented with fizzing electronics and glowing harmonies that are almost impossibly bright and vivid. It makes for an album that really grabs your attention.
Review: While he's continued to offer up occasional singles, Bonn-based producer Dominik Eulberg has not released an album for eight years. It's for this reason that "Mannigfaltig", the former Traum Schallplatten regular's new set, is big news. Interestingly, it's nowhere near as club-focused as you'd perhaps expect, with Eulberg combining his usual glitchy, tech-house influenced beats and sounds with a range of intricate electronic motifs, sumptuous melodies and atmospheric aural textures. There are one or two club cuts, of course, but majority of the tracks bob along at a more sedate pace, with Eulberg offering up cuts that draw influence from IDM and hazy electronica. As a result, it may well be his most coherent and "listenable" album to date.
Hardsoul - "Back Together" (feat Ron Carroll - Director's cut Classic club mix) (8:33)
Spencer Parker & Dan Beaumont - "The Look" (Director's cut Signature mix) (7:59)
Review: This second round-up of high quality tracks and remixes by Frankie Knuckles and Eric Kupper's Director's Cut project is as loved-up and action-packed as its predecessor. It begins with versions of the pair's re-recording of Knuckles' classics "Baby Wants To Ride" and "Let Yourself Go" (the latter a breezy and summery piano-house treat), before offering up a soulful singalong with Inaya Day and a stomping disco-house cover of Sylvester classic "You Make Me Feel (Mighty Real)". Record two offers up some of their hard-to-find remixes, with the pair's Lou Rawls revision and soaring version of Hardsoul and Ron Carroll's soulful house classic "Back Together" standing out.
Review: After a two-year absence, Aline Brooklyn - New York's surprise home of Romanian style minimal techno adventures - has returned with a bang in 2019. They've launched the "Original Series", with March's debut release from Mihai Pol being followed by this eight-track album from Nico Laa and Juan Cristiani. The pair begins in confident mood via the melodious tech-house funk of "Drastic", before wrapping chiming lead lines and spacey electronics around a low-slung groove of "Mars". More warm, deep house style motifs can be heard on "Good Morning Brooklyn" and the bumpin' goodness of "New York", while "Loop People" is a hazy, minimalist jack-track. Elsewhere, "La Rose" is woozy, dreamy and quietly picturesque (despite locked-in tech-house beats) and "Senor Lopez" is snappy and funky in the best possible way.
Review: After a series of well received albums on 100% Silk and HNYTRX, Maya Bouldry-Morrison returns with her first album in two years, and the first on the T4T LUV NRG imprint she set up with life partner Eris Drew. It's a thrill-a-minute affair rooted in her love of turn-of-the-'90s rave culture, with the eight showcased tracks variously mixing elements of breakbeat hardcore, Belgian techno, dreamy deep house, ambient techno, ragging acid and the kind of psychedelic club fare that was once all the rage within California's LSD-fuelled free party scene. In fact, as a soundtrack to a full moon party on a remote "SoCal" beach, "Resonant Body" would sound phenomenal, with the inspired ambient number "My Body Is A Powerful" offering a fine accompaniment to the inevitable morning comedown.
Review: Enduring underground stalwart Lee Burridge has carved out a cosy little space for himself with his dreamy, melancholic house label and party All Day I Dream. It is grown up music that deals in slow-release pleasures, and as the late summer sun throws out its final rays, he treats us to a sampler of recent highlights. Our picks: Squire's "Inimagina", which is an archetypal ADID cut with soft melodies and pillowy drums, YokoO & Retza's "Drifting" for those late, romantic nights thanks to the gooey chords, and Kevin Di Serna x Max & Nim's "Presence" which has the sort of yawning pads that have you craning your neck to the heavens. Along with plenty of other escapist grooves, it all adds up to a comprehensive overview of this cultured little crew.
Review: Church founder Seb Wildblood may only be six years into his production career, but he already has an impressive slew of EPs and singles under his belt. "Sketches Of Transition", is the South London producer, DJ and label boss' long-awaited debut album and arguably his most musically expansive and on-point set to date. Largely warm, gentle, summery and sunrise-ready, it sees Wildblood drift between sumptuous Balearic grooves ("Twenty Eight"), sumptuous neo-soul ("Thought For Food"), liquid deep house ("Small Talk"), dusty-but-toasty workouts ("Bahn"), ultra-deep synth-pop (the Andras & Oscar style goodness of "Amelia") and impeccable ambient tracks capable of making the hairs on the back of your neck stand on end ("One For Malcolm").