New releases last eight weeks: House

Review: Jihoon links with some talented musicians including Thomas Xu, Omar Meftah, Eric Meftah and Ian Gold on this brilliant new three-tracker on One Spoke. It kicks off with the sublime 'Good In The Bad' which is a jazzy viber with flute lines dancing their own dance above lovely contemporary broken beats. 'There Is No End' layers chords, synths and jazz drums into a richly atmospheric groove before last of all the whole of the flip side is given over to a Thomas Xu & Ian Gold remix of 'There Is No End' that is gloriously sunny jazz-fusion at its finest. These will keep you warm no matter the weather outside this winter.

Review: Bread & Souls is a new project dreamt up by Italian entrepreneur and music lover Franco Fusari. For this he invited Mark de Clive-Lowe to direct and produce his roving vision: a series of collaborations with the cream of boogie and jazzdance's best performers and instrumentalists, including the likes of Bembe Segue, Vanessa Freeman, Paul Randolph, Rich Medina, Tommaso Cappellato and more. Under the banner of Bread & Souls, these eight originals and six remixes hit hard yet smooth, sliding down the proverbial aural gullet like a well-made Manhattan.

Review: Brazilian producer Zopelar is a real wizard when at work in the studio. He has done disco-tinged full lengths, synth-laced house sounds, deeper than deep grooves and now steps up to Sudd Wax with another brilliantly musical EP. It opens with the shimmering pads and free-flowing keys of 'Papaia' which then gets a Byron The Aquarius Jazz Twist mix that cuts even more free and gets even more cosmic. 'Jazz Class' is a funky one with golden chords and astral pads and the flip brings three more house gems laced up with the sort of meaningful melodies you don't often hear in this genre.

Review: Snips is back with a bang on his own label Barbershop Records. This time out he offers up the fresh Nebuer EP which is a project undertaken in which he mixes up sample-heavy house and hip-hop sounds, all in a style with which he has become closely associated. The artist has recently become a father for the first time and so that life event was a big influence on this studio work and each makes a specific reference to the different steps on his journey into fatherhood. That makes this a truly personal work but also one that never forgets the club and so the beats remain heavy, compelling, and packed with soulful flourishes.

Review: Twilight is the latest piece by long time DJ, producer and remixer, Dominic Dawson. The Japanese label Flower, has released this single to 7" complete with a remix for the second side. The title track is a catchy and funky house track that while the remix is a bit more Balearic and beachy. Both versions have their place in any house setlist and will set the tone for any eclectic DJ set. With the DJing background Dominic has, he is a great guide to setting the mood with music. Like the title artwork suggests, this is perfect music to watch the sun go down to.

Review: New York City's Jennifer Vanilla - aka. Jennifer Vanilla and Brian Abelson - offered a portal into a colourful world of innovative electronic sound with their 2022 debut album Castle In The Sky, traversing a new wave, post-punk, art pop, and experimental r&b aesthetic. Now Love Injection - the just as wonderful duo of Barbie Bertisch and Paul Raffaele - team up for a booster jab to bolster Vanilla's original shot of liquid amour, also delivered via the medium of 12". Here the original track features in full naked glory on the B-side, while two live-giving remixes from Love Injection - 'Earthly' and 'Celestial' - appear on the A and B respectively. The former takes its time, through djembe and hopeful pad wash, to deliver a blissfully organic take on the original; the latter aims more squarely for the flickering stars, and is more immediate in feel. An overall exquisite, deep, spiritual house release, with an unusually soft and dubbed-out palette, reminiscent of the deeper ends of Y2K broken beat and wild, long-form nocturnal galas a-la Joaquin Claussell.

Review: Electronica production duo Arnau Obiols and Kayyak, who've laid down a name for themselves for their distinct blend of cultural influences and captivating soundscapes, here present two new tracks that seamlessly fuse Afro-inspired rhythms with groovy organic beats. Barely letting us clock for a second that these are in any way electronically programmed or sequenced, this fresh Compost Records 12" hears its two new cuts, 'Faith' and 'San Diago', abound in the ambered, sandy interim of a clear-skied evening, in which cocktails flow and smiles widen. Remixes by Prins Thomas and Medle & Dele Sosimi do just as well to complement the mood.

Review: Relative newcomers Infradisco blend a Balearic sound of disco and house for the Italian label Archeo Recordings. Aqua Cheta is a blend of proper electronic examples of Balearic and chill out influences. 'Caduca' (Hear & Now remix) is ideal for the late-night scene with a blend a perfect blend of 80s and 90s but still sounding futuristic. Manu Archeo's remix of 'Dulcis' is a beautiful laid back downtempo jam that shimmers like a hazy day on the beach. We think you will like the organic and mystical 'Fluminea' as well. This EP couldn't finish any better than on the ambient tip with a soul warming float on the marina remix by Ocean Moon. Fans of Balearic, Cafe Del Mar and chill out music will treasure this EP no doubt. This 12" comes with a CD as well.

Review: Skygaze has some recent tunes remixed on this new Flumo Limited 12" and the results are nice and varied. The opener is from Allysha Joy who flips 'Night Heat' into a lively broken beat run through with warming and soulful synths and a sprinkling of percussion. 'Gimme Five' (Jailed Jamie & Lorenzo Soria remix) then ups the ante with a party-starting house vibe and fiery stabs. 'Wagwan' gets a fresh dose of broken beats from Divorce From New York that will have you flailing your limbs in all directions and Sofatalk & Footnote then keep things a little deeper with their jazzy and sun-kissed take on 'Minor Mood'. 'City Cathedratics' is the final cut and becomes a cosmic and heady, percussive and shimmering late-night sound thanks to the work of Karmasound remix.

Review: Naya Beat's modus operandi is to champion the OG sounds of the South Asian underground through the lenticular funnel of dance music. Their latest in this effort is a breakout wonder in V/A form, herding together three contemporary club titans for a jolly trans-national dialogue over the original stylings of an inimitable key player in proliferation of Bhangra music, Manjeet Kondal. The late great Kondal hears one original piece, 'Pyaar', reissued, alongside two exclusive versions of 'Ishkaan De Mamle' by digger extraordinaire Mr. Scruff, followed by a closing, straight-from-the-stems downtempo acid dub tribute by modern day remixers and DJs Turbotito & Ragz. This is an honorific tribute to the crossection of late 80s to early 90s Bhangra music with acid house, carefully modelled after the aesthetic sensibilities of the time.

Review: E. Live returns to Star Creature HQ with his third full-length release, 'Soft Approach,' and it's a jazz-funk-infused and boogie-powered blast-off. Following the success of 2020's Boogie For Life and Cloud Vibes from 2022, this new long player marks a triumphant evolution in his solo journey. With a nu-school disco flair and jazzier undertones, E. Live expertly balances accessibility and sophistication to make for a well-crafted trip overall. Drawing inspiration from musical luminaries like Roy Ayers and Patrice Rushen, these tunes promise to captivate fans of danceable rhythms and refined musicality alike. This release solidifies E. Live's reputation as a trailblazer in the contemporary Boogie scene and confirms he is destined for seismic waves in 2024.

Review: Deep house producer Shuya Okino shows his class once more on another tasteful outing, this time via the Extra Freedom/Village Again labels out of Japan. For this one he revisits his 2011 album Destiny which was made with help from the Japanese funk, boogie and jazz-funk outfit Root Soul and replays and remakes the tunes. The originals become more disco-leaning and horn lead jams here with Okino's warm, rubbery basslines, P-funk synths, loose live beats and cute keys. The result is an album that sounds like Earth, Wind & Fire making modern soul and it will improve your life no end.

Review: Broken beat hero Kaidi Tatham steps forth with the first in a series of all-star remix albums of the Reel People Music back catalogue. Over an impressive ten tracks, Tatham sashays between syrupy soul slo-jams, virtuosic broken beat trips, almost UK funky-esque live jams, and acoustic boom bap beats. Percies include the sweeter-than-molasses opening flip of Sebb Junior's 'All My Life', his sassy, stripped-back version of Daz-I-Kue and Hadiya George's 'Pedigree' and a dazzlingly technical re-run of the Monkey Brothers' 'Losin my Head.' With this anthology, Tatham proves that London's broken beat scene continues to flourish, and his boundary-hopping style is as relevant as ever.

Review: Back in 1990, Electribe 101 were riding high on the success of 'Talkin' With Myself', a Balearic house classic that ranks among the most saucer-eyed and loved-up songs of the era. The album that followed, Electribal Memories, was a gem, too, though has been largely overlooked - though not by those who fell in love with it at the time - ever since. Happily, it has finally been reissued on vinyl, with half-speed remastering and a deep cut to guarantee aural pleasure. With singer and creative force Billie Ray Martin providing some of her most memorable vocal performances, highlights include the early morning E-soul hypnotism of 'Inside Out' (a genius-like cover of a funk-soul classic), warm-up classic 'Heading For The Night' and the tactile deep house delight of 'Diamond Dove'.

Review: The summer is almost here which means this is exactly the sort of record we want to be reaching for. It's a lush and tropical work of idealised disco grooves, deepest house, Balearic, smooth jazz and Mediterranean cool that cries out to be played loud while you sip on cocktails and dream of being somewhere utterly blissful and classy. Dreamy textures define each cut with nice fresh rhythms, glistening chords and lush melodies all sprinkled with delightful percussive detail. Big up to A Vision Of Panorama for serving up a beautiful album that is sure to soundtrack the warmest months of the year for many.

Review: Electribe 101's 1990 debut album, Electribal Memories, is undoubtedly one of the strongest sets of the loved-up Balearic house era - a long-player firmly rooted in the Ecstasy experience, from the piano-sporting, wide-eyed tactility of house music of the period, to the after-hours, comedown-friendly downtempo soulfulness that the band's creative force and lead singer, Billie Ray Martin, was always so adept at delivering. This 'Deluxe Edition' expands the album across four CDs via a deep archive dive from dance music historian Bill Brewster. The DJ and author offers-up a wealth of released (and unreleased) club mixes, early versions and alternate takes, while the accompanying booklet features reflections from Billie-Ray Martin and an extensive essay from Pete Paphides.

Review: Magic Number is Ross Hillard, a downtempo and orchestral composer whose engineering and bass playing can be heard on an array of releases, most notably for the likes of his own house favourites including Louie Vega, DJ Spen, Kerri Chandler, Lay-Far and Atjazz. Now debuting his first record on the latter artist's eponymous label, Badly Written Songs sounds like a slice of humble pie, but it's actually well-thought out title: in Hillard's own words, "(it's) a tongue-in-cheek reference to how transient electronic music can be." Thus, writing songs in this genre might not have been the most sensible and sustainable idea - but we all love house music, so we put everything into it, hoping that people don't discard it too soon. True to an engineer's tastes, the album is ultra-dynamic and bright throughout, serving up a consistent guest-vocal steeze reminiscent of Charles Webster or Herbert's gravitas.

Review: Caravan Palace's Gangbusters Melody Club is a vibrant explosion of nu-jazz and broken beat energy. The French band showcases their trademark blend of vintage swing and modern electronic beats across all cuts as each one transports you to a lively and exhilarating musical realm. With infectious melodies, driving rhythms, and irresistible hooks, each track on the album is a rich aural feast that is sure to keep dance floors captivated from start to finish. Caravan Palace's sound is defined by its impeccable musicianship and inventive production, as well as it seamless ability to blend the old with the new to create music that is both timeless and cutting-edge.