House charts

Review: It's easy to forget that Justice were once one of dance music's most hyped acts, gracing magazine covers and gate-crashing the pop charts with a succession of crunchy, electro-house bombs. Times may have moved on, but the Parisian duo remain big news. Woman is their first studio album for five long years, and smartly moves between quirky, radio-friendly pop and thrusting club workouts. In the latter category you'll find the spiraling, low-slung, Italo-disco-with-balls of "Alakazam", the classic Ed Banger growl of "Chorus", and the vintage Daft Punk madness of "Heavy Metal". While these are impressive, it's actually the more downtempo songs - "Love S.O.S" and the dreamy "Close Call" included - that arguably stand out.

Review: Belgian singer and producer Bolis Pupul releases his first solo debut album 'Letter to Yu' following his smash success with fellow DEEWEE artist Charlotte Adigery 'Topical Dancer', a satirical, yet hard-hitting, exploration of spirituality, racism and identity that the two experienced in Ghent as children of immigrant families. If you're a fan of the production of songs like 'Mantra', then this project is for you. Still keeping the witty elements from 'Topical Dancer' the LP, a reference to a great emperor of Chinese history, 'Completely Half' opens up with Pupuls hallmark 80s synthpop style, partnered with the typically Belgian cerebral approach to music and allusions to his mixed-race heritage. Pupul's beats feel pensive, yet danceable and the more deep-in-thought cuts like 'Goodnight Mr Yi' benefit from they dynamic contrast with more in-your-face cuts like the blaring 'Kowloon' and its siren-like supersaws.

Review: It's hard to picture the festival-minded electronic music scene of the past ten years without Daniel Avery in it. Since his first single drop in 2012 he's been on a meteoric rise, swiftly delivering his debut album in 2013 and presenting himself as a fully realised artist with a clarity of vision and universal appeal. It's techno for the masses without a shred of compromise, and now you can track back to his landmark opening statement for a special Tenth Anniversary Edition. Pressed up in a gatefold sleeve on white vinyl, this is a welcome revisit to Drone Logic which many will be more than happy to do, given how rapidly Avery was taken into the hearts and minds of the UK party public.

Review: Judging by the overcrowded sweaty scenes in Dalston for the launch party of Justice's second album, the iconic French duo still retain a core number of fans - who will no doubt be eager to snap up this deluxe version of said album. Audio Video Disco comes in gatefold, silver embossed sleeve, holding both the double vinyl and CD versions of the eleven track album. Musically, this is an album that delves deeper into Gaspard and Xavier's passion for prog, marrying the jagged harshness of the 07 era when they ruled the roost with stadium sized ambition. It's probably one of this year's most divisive albums, but then Justice have always liked making a noise.

Review: If there was ever a duo with the bombast and flair to pull off the 18-minute electro-rock-opera, it's surely Justice. Gaspard Auge and Xavier de Rosnay created Planisphere in the wake of conquering the world with their debut album Cross, initially for use on the catwalk but subsequently shared on their MySpace. Of course such releases now attain a kind of cult mythos, and Planisphere is no exception. In the Ed Banger era of dirty French touch, this is a fans dream come true - the gnarly monster that keeps on giving, now pressed up on a single side of vinyl for continuous listening, with a classy etching on the reverse.

Review: Mother is Logic1000's debut album. An alias of Samantha Poulter, the Berlin-based DJ and producer explains it has been insured by her becoming a parent. "I felt so much love and inspiration entering into motherhood that I just needed to create something really powerful," says the producer who hails from Sydney and has collaborated on the lad single 'Grown On Me' with her husband and long-time creative partner Thom McAlister. It is an album that runs that gamut from broken beats to smoky soul, shuffling basement grooves to heady and hypotonic, dubbed-out rollers.