Review: The journey back into the vaults of seminal Italian house music label Vibraphone Records continues apace with this gem from 1993. K2 was a one-off project for central label figures The True Underground Sound of Rome, and this Loss Of Gravity 12" represents one of the most sought after rarities from the Vibraphone catalogue. The on-point breakbeats of "The Journey", the wistful tones of "In My Garden", the plush ambient refrains of "Lirica" - every inch of this record is steeped in class that belies the age of the music. Need we say more - this is a buy on sight reissue that won't stick around for long.
Review: The legacy of Vibraphone's second wave continues to represent the best of classic Italian house, as long-time producer Joy Kitikonti joins up with Vibraphone main man Stefano Di Carlo to present this EP of impeccable grooves made the good old fashioned way. "Beautiful Eyes" takes the romantic, Ibizan approach to trancey house with its hands-aloft lead lines, while "Drink For Peace" brings a bit more jacking attitude to the table. "Devotion D" perhaps speaks to the more classic Vibraphone sound with its heads down chords and throbbing bassline, capturing that 90s vibe in fine style.
Review: KNLB first appeared with the Initialize 12" on Vibraphone in July of this year, and it's not taken them long to return with another slab of on-point, upfront house music loaded with flair and imagination. "Up Again" is a heavy, chugging and bumping jam that should inspire all manner of screwed up faces of appreciation on the floor, and then "Fog Machine Smell" simmers things down to a more measured house groove. "Half Life" brings a few more dubby elements into the mix, and then the club mix of "SIN" sends the record spinning off in a wonderfully dusty reverie of detuned pianos and late-hitting drums.
Review: Having recently appeared on Bosconi Records and Altzmusica, Daisuke Kondo is a producer on the rise at present. This outing on Vibraphone adds fuel to that particular fire with four distinctive cuts that push to the outer edges of house music without losing sight of the groove. "Hold On To Love" is, on the surface, an upbeat, disco-infused house jam, but there's a certain trippy approach Kondo takes in the processing department that edges the music into a different head space. "Life" meanwhile gets gritty and bass heavy at one end of the frequency range, and airy and melodic at the other. "Feelin Blue" gets even dustier and scratchier with its sample treatment, and then "Fallen Star" lays down some unflinching machine beats with wonky, distant piano licks.