Review: Adam Monti aka ADMNTi heads up 4Plae Records out of London and joins Casey Spillman (who just debuted on Infuse) for his label's fifth release. Monti opens with the hypnotic, bass-driven and swing-fuelled loops of "0207", a sublime groove reminiscent of iO (Mulen) or Jack Wickham, while Spillman's contribution comes in the form of the very UK influenced bounce of "Juice Appeal". This takes the best of 2-step and garage (and even the mandatory "rewind") to create a sexy serving of late night mood music. On the flip they flip the script, with both artists remixing each other's track and for what it's worth we reckon it's all about Spillman's remix of Monti's - tough rolling and functional tech house that's aimed squarely at the main room at peak time!
Les Mondes Engloutis (Psychemagik main mix) (7:17)
Les Mondes Engloutis (Psychemagik 5am mix) (9:07)
Review: Martin Brodin's MB Disco imprint continues to deliver the good stuff, this time featuring two utterly essential Psychemagik mixes of Alico vs Cagri's "Les Mondes Engloutis". These mixes actually first surfaced on a digital-only release back in 2013, but now they've been buffed up for a full vinyl pressing, and rightly so. A side "Main Mix" is a full bodied, emotional banger with a lead drop to get crowds waving arms and singing along wholeheartedly. Our pick is the "5am Mix" on the flip though, where the synths take on a more shimmering nocturnal tone without losing that bright and bold character that will land this 12" in all manner of record bags this summer.
Cody Currie - "As Of Yet" (feat Joel Holmes) (5:09)
Grant Nelson - "In The Dark" (5:59)
Pontchartrain - "Don't Change It Up" (5:43)
Goddard - "Almasti" (6:11)
Review: With such a star-studded line-up of old and new talent involved, it's little surprise to find that De La Groove's fourth vinyl release is seriously good. It's that good, in fact, that there's no space to go into each and every highlight. Instead, we'll point you in the direction of some of our personal favourites. Check first the breezy and soulful US garage revivalism of Art of Tones' impeccable "So Sweet", before turning your attention to the dreamy, vibraphone-laden deep house sexiness of Cody Currie's "As of Yet (featuring Joel Holmes)". Grant Nelson's "In The Dark" is a fine slab of late '90s style UK garage, while Goddard's "Almasti" sounds like a nu-disco era riff on Pepe Bradock deep house classic "Deep Burnt".
Review: Up next on Slovenian legend Valentino Kanzyani's label is a fairly tight various artists EP showcasing some sleek minimal and tech house sounds. Beginning with the mysterious Bad Boys and their deep and dirty afterhours jam "Muse" while Cruise On The Valkan (again, whoever they are!) serve up the chugging early morning hypnotica of "Cruising No 3" and the tough rolling funk of "Cruising No 1" respectively - which will no doubt appeal to fans of similarly reduced sounds coming out of Romania at present. On the flip, the charmingly titled Vito Kalimari serves up a taste for the acid life of "Jupyfirsttry" which has the signature womp and wobble of the infamous silver Roland box all throughout it - this one was sick! Running since 2005, Jesus Loved You has presented some big names over the years, long before they got big too. Dan Andrei, SIT and Vinyl Speed Adjust are just a few we can mention.
Review: Mainz-based house hooligan Butch teams up with good studio pal Christian Vogt (Yellow Tail/Rebirth) once again for their new thumper - a remix of Andy Gibbs of The Bee Gees' 1980 hit "Desire". Said to have been circulating for more than a year on selected USB sticks, it's finally available for all. The sexy and low slung main remix is sure to burn up any dancefloor, and is backed by a groovy and swing-fuelled dub version, a handy and functional drum tool and a nifty vocal tool too. It's what Gerd Janson & Co. best described themselves as "blue-eyed R&B house.. made to please and evoke those unifying and uplifting dancefloor moments".
Review: Daniel Paul and Jens Augustowsky have been steering Cabinet Records for twenty years now, establishing the label as one of Berlin's most reliable outlets for techy, housey fare and contributing their own weight in productions under various aliases. Cab Drivers is one of their longest-running collaborations with Playroom their 11th 12" release under the name in those two decades, and their studio understanding is quite evident in the productions. Both the ten minute title cut and "A Less Complex Situation" are understated but wholly effective DJ tools with the subtle acid modulations of the former just edging it.
Review: If you're reading this we've got to hand it to you; you really know your stuff! The Cab Drivers are Berlin's undisputed masters of quality techno and house that all the heads can count as some of their secret weapons in their records bag. The man himself Richie Hawtin even compiled a body of their work on his Plus 8 imprint in 2006, Cabinet Classics, which is testament to their illustrious discography. This release is another worthy addition to their catalogue. "Taxi Funk" is all that its infectious swirling synth stabs and syncopated rhythms. "Bon Bon" is more uplifting with its shimmering keys and mesmerising melody pushing you into a truly higher state!
Review: Berlin's Cab Drivers are the real deal. If their extensive collection of classic Roland machines wasn't enough, they even sequence them all on an old Atari ST you don't get more purist than that. Paul and Augustowsky's new track "Correspondence" has all the hallmarks of their signature sound: bumpin', melodic, rolling and emotive. You know; the Cab Drivers sound! On the flip, fellow Berlin minimal techno legend Audio Werner steps up to deliver a more darker and emotive remix that strays on the dubbier side of things and we loved it: Tip!
Review: Berlin's finest and Cabinet Records head honchos Jens Augustowsky and Daniel Paul return for more perfect loops with their signature all hardware setup. The most infectious and hypnotic minimal house served up to perfection on their newest offering. It starts off with the plonky swing fuelled groove of "Alternative Acts": a signature sound of theirs which you can hear in the work of other artists they no doubt influenced such as Mike Shannon. On the flip, there's the deep and emotive "Drive One" supported by thunderous toms and bittersweet pad textures complete with perfectly filtered chords. Finally "Holiday Ahead" is the most positive and uplifting offering here and perfect to play just as the sunlight starts to peer through the blinds on Sunday morning: there's hell of a lot of soul on this boompty acid jam.
Review: Undisputed heroes of the Berlin underground Cab Drivers get their Comfort Inn EP from 1997 on Cabinet re-released, so get in there and grab your piece of history! iI's always a pleasure to hear their now signature sound, it's timeless. Starting out with "Elwico" a deep and bumping groover sitting somewhere in the grey area between deep house, minimal and techno. Yep: that's their sound alright! "Arcade" is fiercer: an 808 rhythm track and DJ tool that would suit a variety of purposes. Hell, it sounds good enough just on its own. Finally on the flip is "Sunday Best", a funky and emotive exploration in deepness that would sound great as the sun's coming out on Sunday morning at Hoppetosse.
Review: Fun Records main man Alexis Cabrera follows up releases on top labels like Raum Musik, Salty Nuts and Little Helpers with an inaugural release for new label Studio 76. The Berlin based producer presents a great release here, from the minimal-retro influenced bounce of "Told You" or "So" which take their cues from the new sounds of Frankfurt as popularised by labels like Traffic, Hardworksoftdrink or Pager. On the flip, Croatia's Mariano Mateljan turns "So" into trippy and reductionist tackle, that's perfect for getting weird at the afterhours.
Review: Mulen's latest must-check release is a collaborative affair from experienced producer Alexis Cabrera (Raummusik, Salty Nuts, Yaji) and Jorge Saveretti (Esperanza, Visionquest, Cadenza). Given their collective history, you'll be unsurprised to learn that the "Some EP" is really rather good. They set their stall out via an impressive title track that wraps spacey but funky riffs, deep space pads and undulating acid lines around a memorable bassline and typically swinging tech-house beats). "KInda" tips a wink to the glitchy, bass-heavy sound of Romanian minimal techno and the swinging intergalactic tech-house funk of Paris's YYY label, while "Science" is a deep, woozy and wonky affair full of minor key bleeps, jazzy motifs and locked-in beats.
Review: Just the fact that the Shahr Farag imprint is from Iran is enough to grab our attention. This is both because it feels like a novelty to the scene, but also because that vast majority of arts that come out of the country are always so interesting. This time, label owners Lenta and Ahu are joined by Romanian minimal expert Vlad Caia, who serves an excellent, Eastern-minded quasi-dance rhythm in "Declination", and a purely abstract barrack of drones and low frequencies on "Neptune". Lenta himself drops a fuzzy wash of sounds and disparate beats through "Your Existence", while Ahu's "Blind By The Sun" has something in common with dub-techno, except that here the sounds that flutter up and down are grainy and imperceptible...and wholly wonderful. Tip!
Review: Pretty much anything Call Super has touched in recent years has turned to gold. This new collaboration with Parris is no different: it is a self-released project with a fictional backstory involving an ageing writer called Mortise Koshimitsu who lived in a small apartment. The music itself is uptempo but deep, with shimmering wooden hits gliding on elastic drums as ambient synth beauty bleeds into the spaces left behind. "Majenta" is a more cavernous and dreamier track that is as good for home listening as it does for tasteful dancing.
Review: Open Recordings return with their 2nd release 'Flight' following the Departed Emotions EP released earlier this year. Frazer Campbell piloting the journey with 'Flight 82874' ... with 2 of the finest co pilots from hugely respected labels Slow Life and Wahlscheibe....S.Moreira and Allessandro Crimi re constructing the original into superb pieces of timeless music with a dubby outro for good measure!
Review: Frazer Campbell has been on a prolific run since first emerging in 2016, showcasing a keen instinct for sleek, refined deep house with a techy edge. This drop on Counterfeit Soul shows off the expressive expansive of Campbell's sound, leading in with the punchy "Don't Leave Me Honey D" and following it up with the fluttering melancholy of "My System". "No Drama" brings further Detroit influences to bear on Campbell's sturdy tech house beats, and then "Gazette" rounds the EP out with yet more accomplished machine soul musings. Immaculately produced and engineered for maximum club impact, this record looks set to get plenty of peak time floors strutting the good stuff this summer.