Festa Para Um Rei Negro (Samba Enredo Do Salgueiro/71) (3:42)
Selecao De Mangueira (4:57)
Refem Da Solidao (2:19)
Review: Little is known about DIla, a Brazilian singer who tragically died in a car crash weeks after the release of her self-titled debut album in 1971. All that remains is the album - here reissued for the first time by Far Out Recordings - and a handful of references in the Brazilian media to her tremendous talents. "DIla" is a sensationally good album; a wonderfully summery, sun-kissed and soulful collection of samba songs that veers from bluesy jazziness (see the laidback and smoky "O Morro Nao Tem Vez"), to sweaty, carnival-ready dancefloor workouts (the brilliant "Saberas"), via the attractive, horn-heavy jauntiness of "As Paredes Tem Ouvidos").
Review: London's contemporary jazz scene is so strong right now that there's not a week that passes without the release of a killer new album from one of its leading protagonists. The latest comes from Ezra Collective, which finally delivers its' debut album following a string of inspired live performances and a handful of must-have singles. Kicking off with a breezy chunk of hip-hop-jazz, "You Can't Steal My Joy" sees the hyped five-piece confidently bounce between intense, spiraling epics ("Why You Mad?"), reggae-influenced aural sunshine ("Red Whine"), polyrhythmic Afro-jazz ("Quest For Coin"), bespoke soul (Jorja Smith hook-up "Reason In Disguise"), live boom-bap hip-hop (Loyle Carner collaboration "What Am I To Do"), bustling Afro-Cuban jazz ("Chris & Jane"), picturesque piano pieces ("Philosopher II") and much more besides. As debuts go, it's mighty impressive.
Review: George Otsuka Quintet were active in the Japanese jazz scene of the early to mid 70s, led by famed jazz drummer George Otsuka and with a modest grip of LPs to their name. It's been a while since anyone turned their attention to this visionary outfit, but now the stunning, freewheeling 1976 album "Physical Structure" has received the reissue treatment via Le Tres Jazz Club, and it's a good thing too. This incredible session finds Otsuka leading his band down limber, energised avenues of rhythm and groove, constantly skittering from scene to scene without missing a beat. The album even wraps up with a take on John Coltrane's evergreen "Naima" that leaps off the platter with joy in a fitting homage to the original.
Flying Fantasy (exclusive instrumental version) (4:35)
Rhodes E Serenidade (3:37)
Review: Small repress of the Modern Sun Records founder and experienced jazz-wise producer Marc Friedli AKA Skymark. A-side "Flying Fantasy" originally appeared on the Spanish producer's 2016 album "Resistance Sonore", but is here featured in instrumental form for the first time. If anything, it's better than the original version, largely because we get to revel in Friedli's mazy Fender Rhodes solos, rubbery jazz-funk synth bass and loose-limbed, West London style broken beats. You'll find plenty more jaunty jazz-funk vibes and liquid electric piano solos on B-side cut "Rhodes E Serenidade", which first slipped out way back in 2015. DJ Support so far from Dom Servini, Emanative,Red Greg,Kevin Beadle, Mike Chadwick,Dynamite Cuts & Rocafort Records so far