Review: Following killer releases from lesser-known talents like Aristidez, Colossio and Thomass Jackson, Mexico's premier modern disco label Calypso commence a new project that sees them celebrating some of their favourite cities around the world. The journey starts in Tel Aviv, where a range of underground producers present the kind of freaky disco-not-disco sounds that get dancefloors frisky the world over these days. Niv Ast keeps things simmering and sensuous on "Rainey Heart," while Rina gets locked into a dense chug of sweaty sonics and solid rhythms. Naduve has a slower, percussion-led groove rolling on "Hex Mex" that will inject spice into any adventurous warm-up, and Middle Sky Boom finishes the record off with the tense and teasing "Marble Arch".
Painel De Controle - "Relax" (extended Waxist version) (5:54)
Rabo De Saia - "Ripa Na Xulipa" (Charles Maurice extended version) (5:28)
Famks - "Labirinto" (Nick The Record extended version) (6:17)
Review: France's Favorite label dabbles in all things funky and disco-flavoured, and this time they've decided to go with a Brazilian edge on their latest 12". Painel De Controle begins with a Waxist mix of "Relax", a chilled-out boogie monster with sultry vocals, while "Ripa Na Xulipa" by Rabo De Saia is more uplifting and heavy on the disco strings. Finally, Nick The Record rewires "Labirinto" by Famks into a subtly electro-fied boogie nugget. Nice!
Pleasure - "Joyous" (extended breaks special edition) (3:57)
Rusty Bryant - "Fire Eater" (extended breaks special edition) (4:27)
Review: Beats & Breaks are slowly working their way through some of the most seminal and scene defining foundational funk cuts. For the 007 release we're treated to a wild jazz excursion as Pleasure and Rusty Bryant get the treatment. "Joyous" (famously edited by DJ Harvey) get its swing polished and really brought to the fore on those shiny rhythm guitar builds while Rusty's king break-buster "Fire Eater" gets extended in all its sleazy Q&A glory. Limited to 300. Them's the breaks!
Review: Some of you may remember Ricardo Vincenzo from his 2015 debut Pororoca Transatlantica, a two-track missive that blended South American production with all the warmth of sun-kissed downtempo electronica. If anything, this belated follow-up for esteemed Finnish label Sahko is even better. Vincenzo begins with the farmyard animal samples, rolling tribal percussion, African chants and rich electronic bass of "Cabras No Elevado Quilombia", before chopping and looping a dusty old tango track on the mid-tempo house pulse of "Onna No Yujo". On the flip you'll find the low-slung, post-dubstep creepiness of "Haru", where exotic vocal samples drift across a sparse but heavy beat pattern, and the aural trip to Morocco that is "Excellent Drom".
Review: Through his solo releases and work with Leon Ware, Richard Evans and Skip Scarborough, Rockie Robbins became one of American soul's most celebrated artists and producers in the early 1980s. This year's he's set to release his first album of note since 1985, with these two cuts offering a taste of what's to come. Interestingly, "Good Life" sounds a little like it could have been written and produced in the 1980s, even if the mixing, mastering and lilt in Robbins' voice reflect its contemporary status. Either way, it's warm, positive and comes blessed with a wonderfully strong chorus. "Let's Groove", meanwhile, is a little deeper and more loved-up, perfectly reflecting that side of Robbins' 1980s output.
The Rotating Assembly - "Seasons Of My Life" (feat Billy Lo)
Green Pickles - "Feedback" (feat Billy Lo & M Pittman)
Review: Sound Signature kick off the new year with a pleasing reissue of some smoky soul from Theo Parrish's outlet for his most jazzy tendencies. On "Seasons Of My Life" Billy Lo croons over a muted trumpet while a surprisingly rough stomp gets hammered out of a live kit. It's a dreamy, sunkissed jam with all the loose, free-flowing elements you would expect from something with Parrish's stamp on it. Marcellus Pittman helps out on "Feedback", as a sparser, meandering groove does the nasty with some restrained keys. For that Detroit beatdown flavour away from the dancefloor, this is as good as it gets.
Review: Freshly minted label Dance Regular has pushed the boat out for release number one, pulling together no less than six tracks on a multi-artist extravaganza. James Rudie steps up first via the Rhodes-laden, off-kilter deep house dustiness of "Good Fry Up", before Szajna doffs a cap towards 2000 Black on the deep and musically rich broken beat business of "Break In My Back". Captain Over's "No-Look Nutmeg" is a suitably bass-heavy bruk workout laden with 8-bit electronics, while Xtra Brux's "Somebody" brilliant joins the dots between broken beat and two-step garage. Elsewhere, Trev's "For You Around Me" is a sumptuous chunk of summery and soulful dancefloor bliss, while Ishfaq's "Hypnosis No 9" is jazzy, synth-heavy and wayward in the best possible way.
Review: While he lived a musical life that spanned from boogie to gospel before he passed away in 2016, Nairobi's David Waciuma didn't get to record much. He was known much more for his live performances with bands such as The Monks Experience then, later, Rapture Voices who he recorded these two records in the mid-70s. "Devil Go" is a thumping rhythm and blues call and response piece while "Jesu Kristo" hits with more of a frazzled bluesy funk. Both make you wish he recorded much more.
Review: Two years on from the release of his critically acclaimed "Wallflower" album on Ninja Tune, Jordan Rakei returns with his most eagerly awaited set to date. Happily, it doesn't disappoint. Beginning with the electronic soul-pop brilliance of "Mad World", Rakei effortlessly flits between synth-laden hip-hop-soul ("Say Something"), slinky downtempo songs ("Mind's Eye"), 21st century disco-boogie anthems ("Rolling Into One"), slow-burn musical fusions (the military drums, Juju guitars and heartfelt vocals of "Oasis") and the kind of sumptuous, sun-kissed fare that defies easy categorization. With Rakei's sultry vocals taking centre stage throughout, "Origin" is a sparkling set that just gets better with every listen.