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Back catalogue: Funk Soul & Jazz
Juno's full catalogue of Funk Soul & Jazz
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Review: Danielle Nicole shares her debut album on Forty Below: The Love You Bleed. From its earliest recording sessions, Nicole knew this one would be different; for the first time, the whole twelve-track repertoire is about falling in love, not the fallout of it. Produced by Tony Braunagel (Taj Mahal, Eric Burdon, Robert Cray) and mixed by John Porter (B.B. King, Buddy Guy, Bryan Ferry), The Love You Bleed is an album-length sentimental ballad; full of love, loss, will, determination, and every residual ingredient of love. But that's not to say the album doesn't get sour with it; while lead single 'Make Love' is about consciously pushing past pain - choosing love, family, and community in life's difficult moments - 'How Did We Get To Goodbye' hits the listener quicker with its raw and twinging lyrics, documenting a soured love that bears no hero or villain, and asking how one might reach such a place of disrepair without even knowing it.
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Cat: 007559 7903508. Rel: 21 Sep 23
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Groove Street
Overlap
Summit
Infant Eyes
Soulstice
Cold Duck Time
Code Blue
The More I See You
Straight Ahead
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Easy To Love
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Volume 1 (remastered) (UHQ-CD with obi-strip)
Cat: UCCQ 9641. Rel: 10 Apr 24
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Cookin' With The Miles Davis Quintet (CD with obi-strip)
Cat: UCCO 9802. Rel: 02 Nov 23
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I Had It All The Time (Japanese Edition) (limited CD with obi-strip)
Cat: UVSL 2031. Rel: 12 Dec 23
in stock $9.65
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Review: Contemporary British jazz drummer-master Yussef Dayes returns with Black Classical Music, a monumental 18-track LP that not only contains collaborations with Rocco Palladino, Charlie Stacey, Alfa Mist, and Mansur Brown, but flaunt his compositional chops after the immediate fact of the studio, with the likes of 'Rust' and 'Early Dayes' laying down a heartfelt and clean foray into the nu-est expression of British jazz yet. Predominantly made in collaboration with Black artists, it's an album that aims to chart the history of an entire art form a fresh perspective, evidently tracing the line of his own personal past-present at the same time.
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Review: Although her roots lie in jazz, Melanie De Biasio has not made jazz - or at least purist jazz - for many years. Il Viaggio, a vast double album that marks her first studio set for nearly six years, continues this trend, blending field recordings, sound collage, choral music, ambient, the neo-classical darkness of Dead Can Dance, piano works reminiscent of Harold Budd's more contemplative works, and occasional nods towards trip-hop - all arranged as a kind of sonic journey to (and through) Italy by train as a way of rediscovering her distant Italian roots. With plenty of long, immersive tracks and bags of atmosphere, Il Viaggio is a hugely atmospheric and immersive affair that more than delivers on its conceptual premise.
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Hotel San Claudio (CD)
Cat: SBM 4CD. Rel: 23 Mar 23
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Review: British soul singer Dee C Lee started her career singing backup for Wham and the Style Council, before embarking on a solo career that included an early release on Mo Wax. By the late 90s, she'd pretty much stepped back from music though - making this new album for Acid Jazz a genuine surprise (it's her first new release for over a quarter of a century). It's rather good, too, with Lee's sublime and emotion-rich vocals soaring above 'heritage soul' style tracks that variously offer nods to bossa-nova ('Don't Forget About Love'), disco/jazz-funk fusion ('Be There In The Morning', with its excellent horns and fluttering flutes), and Motown-style stompers (the uplifting excellence of 'Walk Away').
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